Thanks to John Vinson for introducing me to today's poem
( Poem #1073) The Red Cockatoo Sent as a present from Annam
A red cockatoo.
Coloured like the peach-tree blossom,
Speaking with the speech of men.
And they did to it what is always done
To the learned and eloquent.
They took a cage with stout bars
And shut it up inside.
-- Po Chü-i |
(Translated by Arthur Waley)
Today's poginant and beautiful poem lends itself to a number of
interpretations. There is, first of all, the surface meaning, a lament for a
bird cruelly caged for no crime other than that of being pleasing - and,
while simplistic, this is a very valid reading of the poem. To call the bird
a metaphor and plunge instantly through it and into the deeper layers of the
poem is to miss a great part of its beauty, for there is a definite pathos
inherent in a caged bird, and Po Chü-i has delineated that pathos simply and
elegantly.
However, the bird *is*, of course, a metaphor, and not a particularly
subtle one at that - indeed, the poem makes the comparison explicit with
"what is always done/ to the learned and eloquent". I am unsure whether the
bars the poet refer to are political, societal or personal (or, indeed, to
the effective cage of Po Chü-i’s own paralysis), but the point is that it
doesn't matter - the situation is universal enough that most readers will
find something to identify with[1].
Apart from the imagery, I like this poem for its elegant minimalism, and for
the contrastive balance of ornamentation and starkness. The delicate
portrayal of the bird 'coloured like the peach tree blossom' provides an
effective contrast to the blunt, almost unpoetic "They took a cage with
stout bars/ And shut it up inside." There is also the indefinable but
palpable feel of a translated poem[2], marking Waley's success in capturing
both the poem's universal message and its Chinese origin.
[1] The following quote is nicely illustrative of the point:
Arthur Waley sent Russell the translation of a Chinese poem, which he
had not published. Russell quotes it in his autobiography to convey
his feelings at the time. [...] The poem speaks of the thoughtless
cruelty of imprisoning pacifists.
-- [broken link] http://www.geocities.com/vu3ash/index.htm3.htm
[2] Nick Grundy expressed a similar view when referring to Nabokov's
translation of Pushkin:
The obvious advantage those translating from their native tongue have
is that they can retain the feel of the original - there's something
peculiarly Russian about this
-- http://www.cs.rice.edu/~ssiyer/minstrels/poems/760.html
It is interesting to see how people translating from an acquired language
manage to capture the oft-elusive *feel* of that language and its
associated
culture. Perhaps some Chinese speaker could comment further on today's
poem.
-martin
A biography and selection of Po Chü-i's poems:
http://www.humanistictexts.org/po_chu_i.htm
An excellent piece on Waley:
Arthur Waley selected the jewels of Chinese and Japanese literature and
pinned them quietly to his chest. No one has ever done anything like it
before, and no one will ever do so again.
There are now many Westerners whose knowledge of Chinese or Japanese is
greater than his, and there are perhaps a few who can handle both
languages as well. But they are not poets, and those who are better
poets than Waley do not know Chinese or Japanese. Also the shock will
never be repeated, for most of the works that Waley chose to translate
were largely unknown in the West, and their impact was thus all the more
extraordinary.
Full piece at [broken link] http://www.renditions.org/renditions/sps/s_5.html
The history of Annam:
http://www.bartleby.com/65/an/Annam.html
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