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Showing posts with label Submitted by: Dale Rosenberg. Show all posts
Showing posts with label Submitted by: Dale Rosenberg. Show all posts

The Swing -- Robert Louis Stevenson

Guest poem sent in by Dale Rosenberg
(Poem #1955) The Swing
 How do you like to go up in a swing,
   Up in the air so blue?
 Oh, I do think it the pleasantest thing
   Ever a child can do!

 Up in the air and over the wall,
   Till I can see so wide,
 Rivers and trees and cattle and all
   Over the countryside--

 Till I look down on the garden green,
   Down on the roof so brown--
 Up in the air I go flying again,
   Up in the air and down!
-- Robert Louis Stevenson
My first thought for the "poems about flying" theme was Randall Jarell's
devastating "Death of a Ball Turret Gunner."  I see Minstrels has already
printed it. so I went for the complete opposite in emotional impact.

"The Swing" was the first poem I learned about flying.  It just captures for
me so perfectly the lovely feeling of soaring which children have on swings.
I remember being quite small and my mother reciting it to me as she pushed
me higher and higher.  I did the same with my own kids.  So many of RLS's
poems in A Child's Garden of Verses sound so fresh and real today.  I think
that since his subject matter is often universal, the poems don't seem dated
in the way that some children's verse can.

Dale

[Links]

Biography:
  http://en.wikipedia.org/wiki/Robert_Louis_Stevenson

A Child's Garden of Verses:
  http://www.bartleby.com/188/

Don't let that horse -- Lawrence Ferlinghetti

Guest poem submitted by Dale Rosenberg:
(Poem #1836) Don't let that horse
   Don't let that horse
          eat that violin
 cried Chagall's mother
              But he
         kept right on
              painting
 And became famous
 And kept on painting
                   The Horse With Violin In Mouth
 And when he finally finished it
 he jumped up upon the horse
                  and rode away
         waving the violin
 And then with a low bow gave it
 to the first naked nude he ran across
 And there were no strings
                  attached
-- Lawrence Ferlinghetti
I was surprised to see that only two of Ferlinghetti's poems have made it to
minstrels.  He's my favorite of the Beat poets, and this is one of my
favorite poems of his.  I love his exuberance and the sheer *fun* of his
poems.  In this one I admire his ability to use humor without snarkiness, to
convey the joy of creation of art.  I saw him read this one when I was in
high school.  I can still see his smile at the last line and hear the
audience's happy laughter.

Dale Rosenberg.

Moses' Poem -- Anonymous

Guest poem sent in by Dale Rosenberg
(Poem #1783) Moses' Poem
 Give ear, O heavens, let me speak;
 Let the earth hear the words I utter!
 May my discourse come down as the rain,
 My speech distill as the dew,
 Like showers on young growth,
 Like droplets on the grass.
 For the name of the Lord I proclaim;
 Give glory to our God!

 The Rock! -- His deeds are perfect,
 Yea, all His ways are just;
 A faithful God, never false,
 True and upright is He.
 Children unworthy of Him --
 That crooked, perverse generation --
 Their baseness has played Him false.
 Do you thus requite the Lord,
 O dull and witless people?
 Is not He the Father who created you,
 Fashioned you and made you endure!

 Remember the days of old,
 Consider the years of ages past;
 Ask your father, he will inform you,
 Your elders, they will tell you:
 When the Most High gave nations their homes
 And set the divisions of man,
 He fixed the boundaries of peoples
 In relation to Israel's numbers.
 For the Lord's portion is His people,
 Jacob His own allotment.

 He found him in a desert region,
 In an empty howling waste.
 He engirded him, watched over him,
 Guarded him as the pupil of His eye.
 Like an eagle who rouses his nestlings,
 Gliding down to his young,
 So did He spread His wings and take him,
 Bear him along on His pinions;
 The Lord alone did guide him,
 No alien god at His side.

 He set him atop the highlands,
 To feast on the yield of the earth;
 He fed him honey from the crag,
 And oil from the flinty rock,
 Curd of kine and milk of flocks;
 With the best of lambs,
 And rams of Bashan, and he-goats;
 With the very finest wheat --
 And foaming grape-blood was your drink.

 So Jeshurun grew fat and kicked --
 You grew fat and gross and coarse --
 He forsook the God who made him
 And spurned the Rock of his support.
 They incensed Him with alien things,
 Vexed Him with abominations.
 They sacrificed to demons, no-gods,
 Gods they had never known,
 New ones, who came but lately,
 Who stirred not your fathers' fears.
 You neglected the Rock that begot you,
 Forgot the God who brought you forth.

 The Lord saw and was vexed
 And spurned His sons and His daughters.
 He said:
 I will hide My countenance from them,
 And see how they fare in the end.
 For they are a treacherous breed,
 Children with no loyalty in them.
 They incensed Me with no-gods,
 Vexed Me with their futilities;
 I'll incense them with a no-folk,
 Vex them with a nation of fools.
 For a fire has flared in My wrath
 And burned to the bottom of Sheol,
 Has consumed the earth and its increase,
 Eaten down to the base of the hills.
 I will sweep misfortunes on them,
 Use up My arrows on them:
 Wasting famine, ravaging plague,
 Dedly pestilence, nd fanged beasts
 Will I let loose against them,
 With venomous creepers in dust.

 The sword shall deal death without,
 As shall the terror within,
 To youth and maiden alike,
 The suckling as well as the aged.
 I might have reduced them to naught,
 Made their memory cease among men,
 But for fear of the taunts of the foe,
 Their enemies who might misjudge
 And say, "Our own hand has prevailed;
 None of this was wrought by the Lord!"
 For they are a folk void of sense,
 Lacking in all discernment.
 Were they wise, they would think upon this,
 Gain insight into their future:
 "How could one have routed a thousand,
 Or two put ten thousand to flight,
 Unless their Rock had sold them,
 The Lord had given them up?"
 For their rock is not like our Rock,
 In our enemies' own estimation.

 Ah! The vine for them is from Sodom,
 From the vineyards of Gomorrah;
 The grapes for them are poison,
 A bitter growth their clusters.
 Their wine is the venom of asps,
 The pitiless poison of vipers.
 Lo, I have it all put away,
 Sealed up in My storehouses,
 To be My vengeance and recompense,
 At the time that their foot falters.
 Yea, their day of disaster is near,
 And destiny rushes upon them.

 For the Lord will vindicate His people
 And take revenge for His servants,
 When He sees that their might is gone,
 And neither bond nor free is left.
 He will say: Where are their gods,
 The rock in whom they sought refuge,
 Who ate the fat of their offerings
 And drank their libation wine?
 Let them rise up to your help,
 And let them be a shield unto you!
 See, then, that I, I am He;
 There is no god beside Me.
 I deal death and give life;
 I wounded and I will heal:
 None can deliver from My hand.
 Lo, I raise My hand to heaven
 And say: As I live forever,
 When I whet My flashing blade
 And My hand lays hold on judgment,
 Vengeance will I wreak on My foes,
 Will I deal to those who reject Me.
 I will make My arrows drunk with blood --
 As My sword devours flesh --
 Blood of the slain and the captive
 From the long-haired enemy chiefs.

 O nations, acclaim His people!
 For He'll avenge the blood of His servants,
 Wreak vengeance on His foes,
 And cleanse the land of His people.
-- Anonymous
(translation provided by the Jewish Theological Seminary)

Much of the Torah (Jewish bible) is poetic, but very little is explicitly
identified as poetry and laid out on the page or scroll as such.  Moses'
poem is one of those exceptions.  I love the vividness of the imagery, even
as I cringe at the vindictiveness of this view of G-d.  G-d is often
portrayed as a parent, but the kind of parenting shown in the middle of the
poem is what I and I believe most loving parents try never to fall into. The
poem does, at least, end with some hope.

I'm fifty years old and will be leyning (chanting in Hebrew directly from
the Torah) for the first time on this coming Saturday on the occasion of my
daughter's bat mitzvah.  It's not easy to do, since the Torah scroll has no
vowels, no punctuation and no musical notes in it, and you're not allowed to
use cheat sheets.  Kendra, my daughter, has been studying for a long time
for her bat mitzvah.  She will also be leyning for the first time this
Saturday, as well as chanting haftarah, leading a service and giving a Dvar
Torah (speech about Torah).

When I was Kendra's age girls were not allowed to leyn, so I never learned,
but I always wanted to.  I decided I'd learn to leyn in time to be part of
her celebration.

I love that my first time I got poetry to read! I also luckily got the first
6 verses of the poem, with the beautiful words but before the
vindictiveness.

Dale

Ballad of Spring Hill (Spring Hill Disaster) -- Peggy Seeger

Guest poem sent in by Dale Rosenberg
(Poem #1386) Ballad of Spring Hill (Spring Hill Disaster)
 In the town of Spring Hill, Nova Scotia,
 Down in the heart of the Cumberland Mine,
 There's blood on the coal and miners lie
 In the roads that never saw sun or sky
 Roads that never saw sun or sky.

 Down at the coal face the miner's workin'
 Rattle of the belt and the cutter's blade
 Crumble of rock and the walls close round
 Living and the dead men two miles down
 Living and the dead men two miles down

 Twelve men lay two miles from the pitshaft
 Listen for the drillin' of a rescue team
 Six hundred feet of coal and slag
 Hope imprisoned in a three-foot seam
 Hope imprisoned in a three-foot seam

 Eight days passed and some were rescued
 Leaving the dead to lie alone
 All their lives they dug their graves
 Two miles of earth for a markin' stone
 Two miles of earth for a markin' stone

 In the town of Spring Hill you don't sleep easy
 Often the Earth will tremble and groan
 When the Earth is restless, miners die
 Bone and blood is the price of coal
 Bone and blood is the price of coal
-- Peggy Seeger
Yesterday's poem about a mining disaster made me think of Peggy Seeger's
"Ballad of Spring Hill."  Based on a real mining accident, where a number of
the trapped miners survived until rescued 8 days later, it has a haunting
melody and even more haunting lyrics.  I heard it as a child, listening to
Peter, Paul and Mary's recording.  I doubt I've heard or read it for 30 years,
but the line "all their lives they dug their graves" still gives me shivers.

Dale Rosenberg

Biography:
  [broken link] http://www.pegseeger.com/html/peggylongbio.html

[p.s. thanks to everyone who identified Stephen Mitchell as the translator of
the Rilke poem. - martin]