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The Old Astronomer -- Sarah Williams

       
(Poem #1769) The Old Astronomer
 Reach me down my Tycho Brahe, --  I would know him when we meet,
 When I share my later science, sitting humbly at his feet;
 He may know the law of all things, yet be ignorant of how
 We are working to completion, working on from then till now.

 Pray, remember, that I leave you all my theory complete,
 Lacking only certain data, for your adding as is meet;
 And remember, men will scorn it, 'tis original and true,
 And the obloquy of newness may fall bitterly on you.

 But, my pupil, as my pupil you have learnt the worth of scorn;
 You have laughed with me at pity, we have joyed to be forlorn;
 What, for us, are all distractions of men's fellowship and smiles?
 What, for us, the goddess Pleasure, with her meretricious wiles?

 You may tell that German college that their honour comes too late.
 But they must not waste repentance on the grizzly savant's fate;
 Though my soul may set in darkness, it will rise in perfect light;
 I have loved the stars too truly to be fearful of the night.

 What, my boy, you are not weeping?  You should save your eyes for sight;
 You will need them, mine observer, yet for many another night.
 I leave none but you, my pupil, unto whom my plans are known.
 You "have none but me," you murmur, and I "leave you quite alone"?

 Well then, kiss me, -- since my mother left her blessing on my brow,
 There has been a something wanting in my nature until now;
 I can dimly comprehend it, -- that I might have been more kind,
 Might have cherished you more wisely, as the one I leave behind.

 I "have never failed in kindness"?  No, we lived too high for strife, --
 Calmest coldness was the error which has crept into our life;
 But your spirit is untainted, I can dedicate you still
 To the service of our science: you will further it? you will!

 There are certain calculations I should like to make with you,
 To be sure that your deductions will be logical and true;
 And remember, "Patience, Patience," is the watchword of a sage,
 Not to-day nor yet to-morrow can complete a perfect age.

 I have sworn, like Tycho Brahe, that a greater man may reap;
 But if none should do my reaping, 'twill disturb me in my sleep.
 So be careful and be faithful, though, like me, you leave no name;
 See, my boy, that nothing turn you to the mere pursuit of fame.

 I must say Good-bye, my pupil, for I cannot longer speak;
 Draw the curtain back for Venus, ere my vision grows too weak:
 It is strange the pearly planet should look red as fiery Mars, --
 God will mercifully guide me on my way amongst the stars.
-- Sarah Williams
      (Published 1868)

Note: Tycho Brahe (1546-1601) has a strong claim to the title "Father of
Modern Astronomy" for his insistence on systematic observation.

The best word I can find to describe today's poem is "moving". Williams's
first-person narrator is sensitively and convincingly portrayed; the
astronomer's life, and his relationship with his pupil, shine through with
warmth and gentleness.

While the poem is uneven in places, it is never jarring, and the good bits
are very good indeed - in particular, the couplet

 Though my soul may set in darkness, it will rise in perfect light;
 I have loved the stars too truly to be fearful of the night.

has helped ensure its immortality. I was also strongly reminded of Kipling's
"The Explorer", a similar, regretless look back at a life that eschewed
"fellowship and smiles" and the pursuit of fame in favour of a lonely
impulse of delight.

And, when all is said and done, it was a real pleasure to read a poem that
neither deified nor vilified scientists (and I've seen too many of both),
but sought to present a genuinely sympathetic and human view of its subject.

martin

[Notes]

Anthologised in "Best Loved Poems of the American People", Hazel Felleman, ed.
Garden City Publishing Co., Garden City NY: 1936, pp. 613-614

John and Proebe Brashear, a couple of astronomers buried at Alleghany
Observatory, famously have a quote from the poem as their epitaph:
  "We have loved the stars too fondly to be fearful of the night."

[Links]

Biography of Williams:
  Sarah Williams (1837-1868)

Variations abound; I am indebted to the stumpers-l archive for the accurate
text of the poem:
[broken link] http://listserv.dom.edu/cgi-bin/wa.exe?A2=ind0412&L=stumpers-l&D=0&H=1&O=D&P=26925

From the fifteen-minutes-of-fame department, I was prompted to run this poem
after it was quoted in Irregular Webcomic:
  http://www.irregularwebcomic.net/969.html

Threnody -- Dorothy Parker

Guest poem submitted by Lakshmi Jagad:
(Poem #1768) Threnody
 Lilacs blossom just as sweet
 Now my heart is shattered.
 If I bowled it down the street,
 Who's to say it mattered?
 If there's one that rode away
 What would I be missing?
 Lips that taste of tears, they say,
 Are the best for kissing.

 Eyes that watch the morning star
 Seem a little brighter;
 Arms held out to darkness are
 Usually whiter.
 Shall I bar the strolling guest,
 Bind my brow with willow,
 When, they say, the empty breast
 Is the softer pillow?

 That a heart falls tinkling down,
 Never think it ceases.
 Every likely lad in town
 Gathers up the pieces.
 If there's one gone whistling by
 Would I let it grieve me?
 Let him wonder if I lie;
 Let him half believe me.
-- Dorothy Parker
I was introduced to Dorothy Parker and her wonderfully sassy works courtesy
the Minstrels. I always thought that her works were reminiscent of mischief,
cocky charm and a whole lot of free-spirited impishness. So you can imagine
how surprised I was when someone sent me this poem. It is so
uncharacteristic of her style or maybe that's my relative inexperience
speaking.  But there is such a heart-broken feel to this one... One of my
favourite lines is 'Lips that taste of tears, they say, are the best for
kissing'.

Picturesque, pensive and very imaginative, for lack of better adjectives,
this poem is a favourite, even though, it appears somewhat alien to Parker.

Lakshmi.

Sonnet II, from "To W.P." -- George Santayana

Guest poem sent in by Jeffrey Sean Huo
(Poem #1767) Sonnet II, from "To W.P."
 With you a part of me hath passed away;
 For in the peopled forest of my mind
 A tree made leafless by this wintry wind
 Shall never don again its green array.
 Chapel and fireside, country road and bay,
 Have something of their friendliness resigned;
 Another, if I would, I could not find,
 And I am grown much older in a day.

 But yet I treasure in my memory
 Your gift of charity, and young hearts ease,
 And the dear honour of your amity;
 For these once mine, my life is rich with these.
 And I scarce know which part may greater be,--
 What I keep of you, or you rob from me.
-- George Santayana
A brief biography of George Santayana was run with Minstrels Poem #25 ("The
Poet's Testament"). This poem was first published in 1896, as part of
Santayana's collection "Sonnets and other Verses". The W.P. of the title was
Warrick Potter, who tragically died of complications from a boating accident
three years earlier. Santayana suffered a number of significant personal
griefs and shocks as he approached his 30th birthday, including the tragic
deaths of many of his close friends.  But the death of Potter, whom
Santayana described as his "last real friend", hit Santayana particularly
hard. Today's poem is the second of four sonnets written by Santayana in
memory of his friend.

For me, Santayana in this sonnet captures a very deep idea within his lines.
Every death is a sorrow. But there are a rare few individuals close to us,
who filled our lives and the lives of all around them with life and laughter
and joy. Who touched us deeply with their wit and wonder, humor and
imagination, kindness and beauty. Those deaths hurt especially deeply
precisely because their lives enriched us so. Or, to turn around Santayana's
closing: we wouldn't be filled with so much sorrow at their deaths, if their
lives hadn't filled us with such laughter and joy.

There was a young lady of brilliant humor and wonderful imagination, founder
and moderator of an online humor quotations community myself and many of my
friends are a part of. In August, she went to the emergency room for severe
abdominal pain and was discovered to have a highly aggressive metatastic
colon cancer. Despite heroic measures, she died on Thursday, exactly a month
before her thirty-third birthday.

This poem is submitted to Minstrels in her memory.

Jeffrey Huo

Uncle and Auntie -- John Hegley

Guest poem submitted by Laura Simeon:
(Poem #1766) Uncle and Auntie
 my auntie gave me a colouring book and crayons
 I begin to colour
 after a while auntie leans over and says
 you've gone over the lines
 what do you think they're there for
 eh?
 some kind of statement is it?
 going to be a rebel are we?
 your auntie gives you a lovely present
 and you have to go and ruin it
 I begin to cry
 my uncle gives me a hanky and some blank paper
 do some doggies of your own he says
 I begin to colour
 when I have done
 he looks over
 and says they are all very good
 he is lying
 only some of them are
-- John Hegley
I first encountered John Hegley on Minstrels last year (Poem #1584, Go and
play in the middle) and it was love at first sight.  On a trip to England
this summer I picked up a volume of his poetry entitled _Glad to Wear
Glasses_.  It was difficult to pick just one poem to submit, but I find this
one a delightful example of his unpretentious, razor sharp wit.  His website
may be viewed at: [broken link] http://www.johnhegley.co.uk.

Thank you,
Laura Simeon.

Foolish, not Social -- Sankha Ghosh

Guest poem sent in by Sarah Korah
(Poem #1765) Foolish, not Social
 Returning home do you feel you talked too much?
 Cleverness, do you feel very tired?

 Do you feel like sitting quiet in the blue cottage
 Burning incense, after a bath, on return?

 Do you feel like wearing a human body at last
 After taking off the demon's dress?

 Liquid time carries moisture into the room.
 Do you feel like an ananta-shayana on her floating raft?

 If you feel like that, come back. Cleverness, go away.
 Does it really matter?
 Let them say foolish, let them say unsocial.
-- Sankha Ghosh
Note: ananta-shayana: Vishnu sleeping on the cosmic serpent Ananta.

I like people, and enjoy being outdoors. But on some weekends, I just long
to curl up with a book.. and have a cup of tea. Very antisocial and very
foolish - but quite enjoyable :-)

Sarah Korah

A brief bio of Sankha Ghosh can be found at
http://www.loc.gov/acq/ovop/delhi/salrp/sankhaghosh.html