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The Scholars -- William Butler Yeats

My thanks to Tom Richards for suggesting today's poem:
(Poem #1482) The Scholars
 Bald heads, forgetful of their sins,
 Old, learned, respectable bald heads
 Edit and annotate the lines
 That young men, tossing on their beds,
 Rhymed out in love's despair
 To flatter beauty's ignorant ear.

 All shuffle there, all cough in ink;
 All wear the carpet with their shoes;
 All think what other people think;
 All know the man their neighbour knows.
 Lord, what would they say
 Did their Catullus walk their way?
-- William Butler Yeats
In "Letter From Lesbia" (Minstrels Poem #1467), Dorothy Parker pokes
gentle fun at the self-absorption of the poet. But if a poet is
self-absorbed and (hence) uninteresting, what does that make the critic
who spends his days analyzing his poems?

thomas.

PS. Tom writes that he found this poem in "Poem for the Day: 366 poems,
old and new, worth learning by heart", ed. Nicholas Albery; he further
comments that "it's only trumped by The Rattle Bag out of the poetry
anthologies I've read". With that strong a recommendation I'll
definitely have to keep an eye out for it; thanks again, Tom!

[Minstrels Links]

The Catullus theme:
Poem #1463, Song Five -- Gaius Valerius Catullus
Poem #1464, From Catullus 5 -- Sir Walter Raleigh
Poem #1465, Come, My Celia -- Ben Jonson
Poem #1466, My Sweetest Lesbia -- Thomas Campion
Poem #1467, From A Letter From Lesbia -- Dorothy Parker

[Administrivia]

Earlier in the day you may have received a suspicious email titled
"Notify about using the e-mail account", or some such phrase. This was a
fake, sent by someone (or something) who had forged Sitaram's email
address. Fortunately, we've configured our list-serve to strip out all
attachments, which means that no harm was done, and that you, Gentle
Reader, needn't worry about viruses and the like.

Brothers -- Giuseppe Ungaretti

Guest poem sent in by "murt"
(Poem #1481) Brothers
 What regiment are you from
 brothers?

 Word trembling
 in the night

 A leaf just opening

 In the racked air
 involuntary revolt
 of man face to face with his own
 fragility

 Brothers
-- Giuseppe Ungaretti
          (Mariano, Italy, 15 July 1916)

Note: Translated by Patrick Creagh

Ungaretti, in the trenches during WW1, grasps the very core of humanity and
communication. With this typically short, yet always diversely translatable
poem, he transcends the horror of the trenches and reaches out, letting the
spoken word carry his mixture of anxiety, isolation and hope, through
darkness and hell, searching for signs of life, embodying to me at least,
the very central theme, always present in human consciousness and fickle
presence on this planet, we call earth. His symbolism seems to me so genial,
I cannot dissect it or describe it closer. It just grips me and I wanted to
share it with you....brothers and sisters.....:-}

Regards from tetriano, Denmark

[Martin adds]

The collection at http://www.worldwar1.com/sfip1.htm has an another
translation of the poem, with the two lines near the end

  of the man present at his
  brittleness

I love the use of "present at", but it has a 'deliberately poetic' ring that
"face to face with" does not - I have to wonder which one carries the
flavour of the original better. Also, Creagh has "man" where the other
translation has "the man" - a possibly significant difference that reminds
me once again how non-trivial the work of translating a poem is.

[Biography]

 Giuseppe Ungaretti, 1888-1970

    A literary minimalist, Giuseepe Ungaretti is considered by some critics
 the greatest Italian poet of the 20th Century. He served an infantryman on
 the lower Isonzo front with the 3rd Army from 1915 until early 1918. In the
 spring, he was transferred to the Western Front where Italian forces fought
 with distinction. In his most famous war poem, RIVERS, he alludes to his
 birth in Egypt, his youth in Tuscany and his service on both fronts during
 the Great War. Ungaretti's pure style was achieved by condensation to
 essentials and is in the tradition of the French Symbolists. His works are
 collected in the 2 volumes of LIFE OF A MAN portions of which are available
 in English translation.
        -- http://www.worldwar1.com/sfip1.htm

The Aeneid: I, 1-7 -- Virgil

Guest poem submitted by Lisa, the opening lines of:
(Poem #1480) The Aeneid: I, 1-7
 War tales and heroes frame my song.
 A man -- refugee from Troy --
 pushed by fate from Illium to Italy.
 O, but the troubles all he bore, tossed
 across seas, and in foreign lands blown
 like a leaf on the breath of the gods.
 (Cruel Juno's wrath, smoking slow,
 here the chief cause.)
 And the troubles he bore,
 the tests, the tricks, the battles,
 that he might raise up a city,
 that the gods might live in Italy;
 the Latin clan, the seeds of our race,
 the mighty walls of Rome.
-- Virgil
        Translated by Rondo Keele.

As adventure stories go, Virgil's Aeneid is among the best;  the fact
that the entire epic is written in poetry only heightens the
accomplishment, making Virgil himself as legendary as his characters.

These opening lines beautifully and dramatically frame Aeneas's entire
journey;  tossed by the sea, blown by the gods, pushed by fate, Aeneas
has no choice but to fulfill his destiny -- the foundation of the future
Roman empire.

Lisa.

[Non-text portions of this message have been removed]

Peace of Mind -- Neil Young

Guest poem sent in by Ravi Rajagopalan
(Poem #1479) Peace of Mind
 You know it takes
 a long, long time
 You know it takes
 a long, long time
 You love her so
 and still you know
 That you will never
 want to let her go
 Unless you leave her first
 Then you come out on top
 But, still
 there's just one thing
 You haven't got.

 Peace of mind
 Like when you treated her kind
 It's hard to face
 that open space.

 You know it takes
 a long, long time
 You know it takes

 a long, long time
 When first you gave
 and shared your soul
 Showed her all those things
 that take their toll
 She knows your weak spot
 But, she still gets you hot
 So you do it again
 Reveal what lies within.

 And go for peace of mind
 Like when you treated her kind
 It's hard to face
 that open space.

 You're lookin' for
 peace of mind
 Anywhere you can find
 Still searchin' for
 peace of mind.

 You know it takes
 a long, long time
 You know it takes
 a long, long time.
-- Neil Young
Okay - so Zenobia Driver has inspired me to send this in - a  Neil Young
piece that I absolutely loved as a young man. I guess there are poems and
songs that move us at a particular place and time in our lives, and the gift
of memory is to achieve that recall when you hear that song again and be
transported back in time. Its what makes life beautiful, I guess.

Anyway this song is my favourite. I have very fond memories of hanging out
in the sitout in a flat on the 10th floor overlooking the Bangalore Race
Course on a typically chilly morning or late at night, listening to this
one. All of us were 20-something, discovering life, learning to love, and
discovering the heartbreak of unrequited love.  Even now I give it a listen
every now and then to recapture those magic moments when one was young and
full of hope.

Peace of mind is the first thing that goes when you learn to love, and in
the process of getting into and out of relationships, this state of affairs
continues. Given the sturm und drang of our young lives at that time, the
resonance of love, letting go, sharing your soul, and peace of mind all
combine to create a magic symphony of sounds and words - and most of all -
meaning!

BR

A Piece Of The Storm -- Mark Strand

Guest poem sent in by Nandini Krishnamoorthy
(Poem #1478) A Piece Of The Storm
      For Sharon Horvath

 From the shadow of domes in the city of domes,
 A snowflake, a blizzard of one, weightless, entered your room
 And made its way to the arm of the chair where you, looking up
 From your book, saw it the moment it landed. That's all
 There was to it. No more than a solemn waking
 To brevity, to the lifting and falling away of attention, swiftly,
 A time between times, a flowerless funeral.
 No more than that
 Except for the feeling that this piece of the storm,
 Which turned into nothing before your eyes, would come back,
 That someone years hence, sitting as you are now, might say:
 "It's time. The air is ready. The sky has an opening."
-- Mark Strand
I stumbled upon this poem thanks to Radhika mentioning the website "Poetry
in motion". The interpretation of this poem would be a daunting task to even
the seasoned critics, and I have but tried to "comprehend" the poetry.

To me the poem ties time and the power of transience in our lives. Some
things though seemingly transient are destined to unfold ever so slowly,
giving us the luxury to soak in the beauty of "it" being prolonged and when
its over, it reinforces the fact that it may start all over again, only to
capture another's attention. Of course this poem also tries to paint the
image of man as a mortal being and that many things that we believe to be
significant may melt to nothingness.

Well if it hurts no one, I would stick with my first line of interpretation.
Perhaps Mark Strand's opinion on interpreting poetry would be a good way to
summarize this poem.

  "It's not that poetry reveals more about the world — it doesn't — but
  it reveals more about our interactions with the world than our other modes
  of expression. And it doesn't reveal more about ourselves alone in
  isolation, but rather it reveals that mix of self and other, self and
  surrounding, where the world ends and we begin, where we end and the world
  begins".

        -— Mark Strand (Interview with Katharine Coles)

Nandini