One Art -- Elizabeth Bishop

Guest poem submitted by Pavithra Krishnan:
(Poem #639) One Art
 The art of losing isn't hard to master;
 so many things seem filled with the intent
 to be lost that their loss is no disaster.

 Lose something every day.  Accept the fluster
 of lost door keys, the hour badly spent.
 The art of losing isn't hard to master.

 Then practice losing farther, losing faster:
 places, and names, and where it was you meant
 to travel.  None of these will bring disaster.

 I lost my mother's watch.  And look! my last, or
 next-to-last, of three loved houses went.
 The art of losing isn't hard to master.

 I lost two cities, lovely ones.  And, vaster,
 some realms I owned, two rivers, a continent.
 I miss them, but it wasn't a disaster.

 ---Even losing you (the joking voice, a gesture
 I love) I shan't have lied.  It's evident
 the art of losing's not too hard to master
 though it may look like (Write it!) like disaster.
-- Elizabeth Bishop
 The concept of loss has long been favoured by the poets. In their turns
they have variously bemoaned the loss of beauty, youth, fame, life -- and
love. The poetry of loss is a genre unto itself. Immediately poignant by its
implications of tragedy. Freighted with an irrevocable absence. Often
shadowed by pain, sadness.

 ... yeah, I think loss works pretty darn well in verse. And I'm also
certain Elizabeth Bishop understood all this. Perhaps better than she might
have cared to. There is a courageous pretense built into this poem that I
like. Bishop is wry, funny and flippant and very determined not to sound
weepy-eyed. The fierce repetition of the line "the art of losing's not hard
to master" makes you wonder how far and fast she's had to lose. To me Bishop
is valiantly attempting to make believe for awhile that the experience of
loss may be impersonalised into perfection by practising it as an art (take
a breather). That she succeeds in convincing neither herself nor her reader,
hurts her verse not the least.

Pavithra.

173 comments:

  1. Hi ,

    Actually I think the art of losing is hard to master, and I find the poem
    quite flipppant in it's dismissal of life and losing. As admirable as it
    seems, I do not think I would so easily give up the material and spirititual
    possessions that are advocated by the poem.

    Do you really have an interest in this poem?

    Interested in your comments,

    Rick

    ReplyDelete
  2. i don't understand the end of this poem! whom has this person lossed at the
    end? is it a person or the joking voice? what does she mean by joking voice
    anyway? why does it say "write it" in the middle of the sentence? I'm
    confused!

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  3. i think she's talking to the reader at the end of the poem

    ReplyDelete
  4. I think that Bishop is saying that we grow beyond the little losses,
    think that we have reached an anchored place, and then lose the one
    important thing ... in this case a friend/lover? [his/her joking
    voice, a gesture] ... and now she must make herself "WRITE IT" ...
    because it is a disaster and the one path through it is to
    write/express it.
    Ray Rasmussen

    ReplyDelete
  5. "villanelle", folks, "villanelle".
    (Somebody has to say it.)

    ReplyDelete
  6. Marilyn Hacker has a wise and beautiful response to this poem. This is from her
    1990 collection, "Going Back to the River."

    From Orient Point

    The art of living isn’t hard to muster:
    Enjoy the hour, not what it might portend.
    When someone makes you promises, don’t trust her

    unless they’re in the here and now, and just her
    willing largesse free-handed to a friend.
    The art of living isn’t hard to muster:

    groom the old dog, her coat gets back its luster;
    take brisk walks so you’re hungry at the end.
    When someone makes you promises, don’t trust her

    to know she can afford what they will cost her
    to keep until they’re kept. Till then, pretend
    the art of living isn’t hard to muster.

    Cooking, eating and drinking are a cluster
    of pleasures. Next time, don’t go round the bend
    when someone makes you promises. Don’t trust her

    past where you’d trust yourself, and don’t adjust her
    words to mean more to you than she’d intend.
    The art of living isn’t hard to muster.

    You never had her, so you haven’t lost her
    like spare house keys. Whatever she opens,
    when someone makes you promises, don’t. Trust your
    art; go on living: that’s not hard to muster.

    ReplyDelete
  7. YES!

    WRTE IT! Those two little words are the big lesson, the tough task, and
    the main hope. Thanks for saying it so well.
    michal

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  8. Yes since it's the road map and the life line. Great grandchild of
    Verlaine?

    michal

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  9. Thank you for this! Though I think Bishop's poem is more beautiful. I
    loved it and memorized it and for as long as I said it every now and
    then it was a good companion. Some poems - this is one of them - feel
    good in the mouth, and you can tell it even before you read them aloud.
    michal

    ReplyDelete
  10. (Write it) - Elizabeth is forcing a moment. Take a breath, sit up and face the feelings that you have buried deep. "It may look like"... disaster...be reminded "may" . After the feelings have been forced, maybe then you can accept "the art of losing"...and go on.

    ReplyDelete
  11. The point to this poem is that the art of losing is hard to deal with but
    everyone is good at it. Its universal appeal is what makes this poem so
    powerful. We have all lost someone...we all get pissed when we loose the little
    mundane things like keys or a wallet or eyeglasses. Bishop tells us to let go.
    Simple and Pure. Just let go!

    ReplyDelete
  12. This poem and poet share a common experience. Trying to remember where I last left off in the middle of a sentence, stop write down what I ment to say in the beginning when I was trying to remember what it was I was trying to say. Yeah, I really embrase the poet and her poem.
    Sky Kaly in NM, still here.

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  13. I think the poem is saying: those who love always experience loss, but
    this is no reason not to love - rather, to accept that in life you have to
    deal with loss - and to accept this, means you can survive, and even start
    living after your loss (and what better way to start the uphill struggle
    than to build on the small, but well rehearsed experience of loss gained
    in our daily lives)

    Kate

    Kate Bills
    Northdoor plc
    T:F:E:
    W: www.northdoor.co.uk

    ReplyDelete
  14. In the recent film ŒIn her shoes¹ this poem is read in a nursing home by an
    apparently ignorant dyslexic girl (Cameron Diaz) to a blind professor of
    literature (Norman Lloyd), who elicits from her a poignant interpretation,
    perhaps the best moment in the film.

    ReplyDelete
  15. In the recent film 'In Her Shoes' this poem is read in a nursing home by an
    apparently ignorant dyslexic girl (Cameron Diaz) to a blind professor of
    literature (Norman Lloyd), who elicits from her a poignant interpretation,
    perhaps the best moment of the film.

    ReplyDelete
  16. Think of this poem and especially the "art" of losing in connection to the mastery of writing poetry. Bishop is stuggling to deal with the loss of a lover or close friend (we can assume this from the final quatraine) and she is dealing with this loss by showing her compentcty in writing poetry and especially in tackling a villanelle (a difficult and strict structure). "Write it!"- a command to herself to express her grief through the art of poetry.

    so what do you all think?

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  17. In this poem, Bishop talk about a person witch live a not importnat
    life. It´s a critical way of life.

    ReplyDelete
  18. Have you ever lost someone you cared about? One day they were there and the next they were just out of your life? Coping with it is impossible. It could be a hard breakup or a death or just a falling out with a friend or loved one. She's not just overlooking loss and saying its easy - she's trying to hard for that if you really look closely. she can't master it - that's why she had to tell herself "write it" about it looking like disaster in the final line. That is how she feels. The loss was a disaster, she's trying to pull herself through it, but she's really quite miserable.

    ReplyDelete
  19. Losing is a part of life and we should learn to deal with it. It is not a
    disaster to lose your spare keys or move away from a place you love,
    adopting this attitude helps us go through life - if you have a master
    key, if there are many other wonderful places in the world left to explore
    what is there to feel sorry for, but extending this approach to
    relationships with people doesn’t work as well, as the poet tries to
    convince herself (ironically)

    ReplyDelete
  20. Salmonde1, I feel is the nearest to understanding Bishop’s words.
    Bishop tries to convince herself that to lose someone close can be
    disregarded in the same manner as mislaying ones keys. That one can lose all
    material possessions and that it doesn’t really matter.
    Well it doesn’t! But to lose someone close does matter. It is a disaster, a
    tragedy and fills one full or regret.
    Especially if the loss is due to being careless in that lost relationship.
    Her self denial of the importance of the lost relationship evaporates in the
    last line, when she suddenly realises...it is a disaster.

    ReplyDelete
  21. I think this is one of the saddest poems I have ever read. The poet puts on a brave face, but as the poem progresses you are aghast at how much she (and by extension, we all) have lost (or will). "Write it!" is placed precisely where it should be to prove that all loss, no matter how minor, is symbolic of the terrible process of life, in which we all have to lose every single thing, even existence itself: "like disaster." Someone once wrote that to buy a pet is to buy a tragedy. Well, to live is to live a tragedy as well. "Call no man happy until he is dead."

    ReplyDelete
  22. P.P.S. Evidently this listserv doesn't permit emphasis. Anyway, "Write" is italicized.

    ReplyDelete
  23. P.P.P.S. Oh yeah, and Gerard Manley Hopkins's "Margaret, are you grieving" and certain Japanese and Chinese poems I know by heart as well. All about loss, the swift passage of time ("Time flies, you say? Ah, no! Alas, Time stays - we go"), the fragility of life, the impermanence of all things. Hmmm. But then there's "Does a dog have Buddha nature? Mu!"

    ReplyDelete
  24. I love the comments posted about the flippant tone of this poem. The
    repetition of the line "The art of losing isn't hard to master" does
    feel like a brave yet casual masquerade. Bishop's theme and tone reminds
    me of the Dylan song, "Most of the Time."

    Most of the time
    I'm clear focused all around,
    Most of the time
    I can keep both feet on the ground,
    I can follow the path, I can read the signs,
    Stay right with it, when the road unwinds,
    I can handle whatever I stumble upon,
    I don't even notice she's gone,
    Most of the time.

    Most of the time
    It's well understood,
    Most of the time
    I wouldn't change it if I could,
    I can't make it all match up, I can hold my own,
    I can deal with the situation right down to the bone,
    I can survive, I can endure
    And I don't even think about her
    Most of the time.

    Most of the time
    My head is on straight,
    Most of the time
    I'm strong enough not to hate.
    I don't build up illusion 'till it makes me sick,
    I ain't afraid of confusion no matter how thick
    I can smile in the face of mankind.
    Don't even remember what her lips felt like on mine
    Most of the time.

    Most of the time
    She ain't even in my mind,
    I wouldn't know her if I saw her
    She's that far behind.
    Most of the time
    I can't even be sure
    If she was ever with me
    Or if I was with her.

    Most of the time
    I'm halfway content,
    Most of the time
    I know exactly where I went,
    I don't cheat on myself, I don't run and hide,
    Hide from the feelings, that are buried inside,
    I don't compromise and I don't pretend,
    I don't even care if I ever see her again
    Most of the time.

    Thanks for this site! Gardensoul aka Tom Spencer

    ReplyDelete
  25. Thanks for all the great comments. I can't tell when the most recent
    post was, but mine is put her in February, 2006. I'm doing a study on
    loss, having experienced a couple of losses of people recently. Reading
    the posts is very helpful. Thanks for the comparison to the Dylan song.
    I find it particularly art.

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  26. Have you noticed the obvious? She's talking about the art of losing, not
    the art of winning. Why doesn't she want to win?

    Lisa Galoci

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  27. THe Art of Losing is not a prescription for life; it is a poem. As such, it
    is completely successful.

    ReplyDelete
  28. what ms. bishop is saying is that small things are not that big of a loss,
    when compared to losing someone. she in the masterful poem is trying to
    convince herself that losing a dear one is no difference than losing say; car keys.
    suffice it to say, though she tries to console herself with that thought, it
    obviously (as seen in the last stanza) doesn't work.
    ron sterzinger
    minnesota

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  29. If any of you have a dvd go to our local video place and rent the movie
    " In her shoes" In the middle of this film is a good description of
    this poem. Please watch it.

    ReplyDelete
  30. Hi!
    I just read all the comment on Bishop's wonderful "One Art". I was
    especially amazed to find Hacker's take on the poem, all the more so that it
    happens that just this Sunday, I also wrote a Villanelle in Homage to "One
    Art". Here it is if anyone is interested.

    A Humble Homage to E.B., with thanks to Patrick

    The villanelle's so hard an art to master.
    I tried to win his heart through sonnets yet
    my poor attempts did clearly spell disaster.

    "One Art" had thrilled his soul so, aiming vaster,
    I tracked her steps. Oh how could I forget?
    the game of love's so hard an art to master:

    faced with disdain, it's no use running faster.
    A lover less naïve could safely bet
    my poor attempts were sure to spell disaster.

    Why thus gesticulate if but to bluster
    a fully-flawed unwarranted duet?
    Seduction is so hard an art to master.

    Failing to learn the art of loss I muster
    frail words around me and refuse to let
    my poor attempts fall flat and spell disaster.

    Where marble stood: a replica of plaster
    and, as for love, I've but an empty net.
    The villanelle's so hard an art to master:
    my poor attempt could only spell disaster.

    P.H. Lerlim, Nov 19 2006

    ReplyDelete
  31. She's saying that the "art" of losing isn't "hard" to master; it's
    impossible. If loss were easy, or possible, to master, then she'd write
    about how losing was easy. Instead she writes about how it's "not"
    difficult--repeating "not" over and over again. These repeated "nots"
    signify the denial that she's affected by the loss of her lover.

    The art of losing is impossible to master because it is, in fact, like
    disaster. The fact that disaster makes up the last word of the poem
    reinforces it. Like any good Shakespearean sonnet, the last lines give a
    definitive reading. The art of losing looks like disaster because it is
    disaster, but that's too hard to write and far too hard to acknowledge, so
    what we have to put up with instead is a kind of surface flippancy, a
    pretence that loss can be survived without any significant loss of self.

    I admire Marilyn Hacker's response. But the reason that we need to treat the
    art of living seriously is because it's valuable. Without the threat of
    loss, we would have no need to value it. Elizabeth Bishop's poem admirably
    dramatises that threat.

    I love this poem and memorised it when I first learned it, ten years ago.

    ReplyDelete
  32. Hello,
    Thank you for posting this poem! I read it years ago and then painted a
    painting in 1997 called "The Art of Losing". (see attached file)
    Yesterday, I sold the painting and the patron wanted to know about the
    title and I could not remember author...just remembered a few lines. It
    will mean alot to the new owners to know the poem too.
    Thank you again.
    Melanie Hickerson

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  33. We struggle for the ability to reflect on events without unraveling. We
    stare into the endless abyss of our loss, learning just how far we can meet
    it with an even gaze before we are naked in our mourning. The disaster is
    when we have lost ourselves in the darkness. Yet it seems in the darkest
    places, something is there to see the absence of light. Perhaps even when we
    are truly gone, there is something of us that remains to see that we are
    gone.

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  34. Why 'write it!'? Because writing something down is a means to convince
    yourself. It may look like disaster, write it down, LOOK LIKE, but it isn't,
    it isn't, it just looks like disaster.

    But of course, it is disaster, it is, it is, it is. The fact that she uses
    the powerful (over the top?) word 'disaster' shows how enormous the loss of
    a loved one can be, and how different from all the other losses mentioned
    before.

    ReplyDelete
  35. bishop, hopkins, chinese classics... good taste!
    do you like pound, eliot, sappho, tu fu?

    my name is ana
    cheers

    ReplyDelete
  36. Maybe it's my age but I read differently into this piquant (is that the word?) poem. I see it as a wry (and very touching) poem about facing personal tragedy with honesty.

    To me, it's about someone who is experiencing the early stages of Alzheimer's disease. At first, you learn to lose little things and you get upset but life goes on. Then you find you are losing more important things. Slowly, you realize that you're going to keep on losing things and you can't do anything about it anyway, so you have to accept it.

    Then, she continues, your memories of your past experiences are lost. And, ultimately, you experience the biggest loss of all, your "Self" that you have learned to be (the joking voice, the gestures) that you thought "belong" to you since you created them and experienced them through all the stages of life.

    What she is saying is that she knows that she be experiencing this biggest loss of all.

    She's not going down without a fight, even if she has to write everything down in order to remember.

    Anyway, that's my interpretation.

    ReplyDelete
  37. Rowden Dayna E CPT NGVAJune 4, 2007 at 5:37 AM

    The author of this poem appears to have experienced a loss so profound that
    she is forced to continuously remind herself that she can recover from the
    loss. In order to lessen the pain, she compares her loss items she has lost
    in the past, such as keys and watches. She later goes on to recollect, to a
    greater extent, her coping with the loss of houses and even a beloved
    hometown or country. The loss for the author is so deep that she
    continuously reminds herself that she can master her loss and not the
    opposite. As she grow maudlin and recalls the memory of her friend she lost,
    you can image she is getting more and more sad. When she says the words,
    "Write it," she is convincing her that this loss is not a disaster (despite
    the fact that she feels that way) by almost forcing herself to write the
    words, and she tells herself she can survive this loss. Imagine a woman
    starting off by saying "Yeah, I've lost my keys, and I've lost a watch - no
    big deal. I even lost 3 homes and may never see my home country again. I
    survived." Later, as her sadness grows deeper because of her memories, she
    finally tells herself, "So, if you made it through all that, you can survive
    this interminable pain you feel now."

    DAYNA E. ROWDEN

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  38. June 2007. The Art of Losing Isn't Hard to Master. I'm watching my marriage fall apart. It's been going on for some time and we're getting closer and closer. Last week we divided our belongings - on paper. This week we are communicating only by email - even through we are in the same house. I know all too well what my contributions to the problem have been. I know all too well what I must change in order to avoid the final fall. I am AWARE. And yet..... And Yet. Awareness isn't enough. Awareness in itself doesn't correct my course of action. Awareness in itself doesn't make me a person whom my wife wants to continue to be with. I still have to TAKE ACTION. I can be aware and still watch myself make all the same time-worn mistakes and missteps that I've been making all along. Watch myself as if watching someone else do exactly the wrong thing - and screaming at them "nooooo don't do it!".

    This is the art of losing. To know that you are losing. To desire not to lose. To know what must happen in order not to lose. But to continue to lose anyway. It is an Art, and it is a Tragedy. And Ms. Bishop is correct -- It's not hard to master.

    ReplyDelete
  39. Loosing, per se, may not be a disaster
    When it is not your life or your soul you loose in the matter

    But the art of loosing
    Which you may not even have to try to master

    Can be a disaster
    Until you get to realize how well this art of loosing you master

    Olympia

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  40. Bishops poem is wonderful. Note that this is about the loss of her
    (female) lover that she had when she lived in Brazil. This is, as
    someone pointed out, a villanelle, hence the repetition. And finally,
    the poetry in the last few lines in extraordinary. You'll notice that
    the rhythm is beautifully choked up...lots of glottal stops,
    signifying that she's trying to hold back the tears and is having
    trouble controlling her speech. You'll also want to know that she is
    from New England, and, god bless them, women from that area tend to
    refrain from showing their emotions. Doesn't it make for much deeper,
    evocative poetry?

    AJ

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  41. What got from this was that she was writing to convince herself that losing
    a loved one (the one with the joking voice) isn't so bad... But really you
    get to the last stanza and you see that though she is trying she can't convince
    herself... And she says (Write it!) to herself so she can admit that maybe
    she is wrong and that her loss is harder than she would have thought.

    Cara

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  42. Serendipity!

    I came across this beautiful villanelle in an equally beautiful movie
    called 'In Her Shoes'.

    'In Her Shoes' is a movie about two sisters with nothings in common
    other than their shoes size.

    In the movie, Maggie (Cameron Diaz) the flighty of the sisters, reads
    'One Art' to a blind old patient (a one-time english professor who
    realises the girl is suffering from dyslexia and intent to help her
    overcome by making her read).

    I found the poetry really lovely and true then, but never thought, I
    would live in each line someday.

    By the opening lines the poetry may appear something
    gloomy/bemoaning/giving up. (and few readers still prefer to argues)

    On the contrary it is rather a very encouraging poetry which will give
    one a reason to be practical and to carry on.

    Bishops started with

    The art of losing isn't hard to master;

    so many things seem filled with the intent

    to be lost that their loss is no disaster.

    She is right! how hard one try and how careful one is, certain things
    are bound to be lost, someday.

    In her second, third and forth tercets she went on explaining small
    small losses like loss of door key / badly spent time / places / names /
    loved houses and a very pertinent one (mother's watch) sure you would
    have done it ! in your childhood.

    She repeated asserts herself "art of losing is no hard to master" tells
    to prepare for and accept losses.

    Losses come in various forms, from badly spent time to losing your
    hometown.

    Of all the most beautiful is the last quatrain,

    ---Even losing you (the joking voice, a gesture

    I love) I shan't have lied. It's evident

    the art of losing's not too hard to master

    though it may look like (Write it!) like disaster.

    The use of the word like "Even", "i shan't have lied", "evident",
    "writes it!" et. al. tells that this is the major loss that she has been
    preparing to overcome.

    ---Even losing you (the joking voice, a gesture

    I love) ,

    - must be a very close one

    I shan't have lied. It's evident

    the art of losing's not too hard to master

    - maybe she would have had lost all hope before

    (Write it!)

    - now she is firm that she would live through, but she misses (???) and
    still carries the pain.

    The poetry is beautiful and true 'you may live through'

    but no ! "The art of losing is hard to master"

    Haridev Ngangbam

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  43. Good one

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  44. Ruth E. Thaler-CarterFebruary 28, 2008 at 7:52 AM

    Is this the Margaret Shank who lived in DC and belonged to WIW years
    ago? If so, please let me know!

    Ruth

    -----
    Ruth E. "I can write about anything!" (TM) Thaler-Carter* www.writerruth.com
    Author/Publisher, "Get Paid to Write! Getting Started as a Freelance
    Writer"

    Co-owner, Communication Central (www.communication-central.com)
    Newsletter Editor, national EFA, Assn. for Women in Communications-
    Rochester

    ReplyDelete
  45. The art of loosing..well ryhmed , hidden yet felt music.Even though the
    subject matter is may seem childish ,the content made it wisdom .
    Material things are never lost but misplaced ,one may run into them at a
    point .The spiritual losses are eternal ..Here one need to be an arist
    to overcome the resulted empitiness .
    Mottalib
    KUWAIT

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  46. One Art.
    Had I read this poem thirty years ago, I would have had a much different take
    on it, than I have since losing loves and places. It is beautifully written
    to reflect the art of losing, but to me, they are all devastating. I feel a
    connectedness to Elizabeth Bishop because of this poem. I have printed it
    out to be read at my funeral......hopefully not for many many years to come.
    Susan Clark
    Madison, CT

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  47. I think a lot of people who have commented on this poem saying that it sounds flippant have lost out on the poem's true meaning. Although she says the art of losing isn't so hard to master the tone of the poem if you observe is one of denial Its like she's trying to convince herself that she's okay with the loss and doesn't care about the things she's lost when in fact the very opposite of that is true. Observe the last few lines of the poem, its like she's trying extra hard to sound careless about the loss of that special someone in her life when in reality the loss has been eating her from inside.

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  48. I came across this poem in the movie 'in her shoes', loved it.
    Losing isn't hard to master, because the one fact is we have no control over it, especially when it concerns people or something as simple as a flower, they eventually fade away leaving us with nothing but pain even though we may try to deny that pain.
    Philip F Tariang.

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  49. The poem is certainly not flippant.
    at the end you see that she is convincing herself to write that the art of lossing is not hard to master although it may seem like a disaster. She believes it is a disaster.

    "(...) It's evident
    the art of losing's not too hard to master
    though it may look like (Write it!) like disaster."

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  50. It's interesting the way she tries to convince herself that even the big losses of her life were not hard to master. I don't think it's only about the "joking voice" (a lover? a friend?), although this is certainly the greatest loss. It is also about losing cities and houses she has loved.
    It is like she has lost the idea of a "home", and that's deep, and sad, and hurts. Still, she is right: losing whatever you lose is not hard to master compared to a broken heart.

    By the way: beautiful poems you have made, I printed them all.

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  51. Hi Ruth, if you ever stop by here again (well, I have) --

    No, I'm not that Margaret Shank. I was born in Bethesda Naval Hospital, but I've lived almost alll my life in California.

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  52. Dear Rick,

    The poem as I see it is a protective rationalization against our existence. Loosing the tangible (and in the case of spirituality - intangible) possessions we carry is but a part of life, but furthermore it is important to realize that coping with such loses is the part of our existence that is necessary. Elizabeth Bishop is doing just that in this poem. She is rationalizing and adapting to a loss. The protective part of her rationalization is taking place in the concept that her loss 'is not a disaster'. She speaks of colossal losses as if there nothing, only as a means to cope. Being depressed after all is illogical. Biologically speaking, emotions only exist as a means to ensure our existence as a species. However the concept of being depressed can be overcome by rational thought, and it is that nature that makes us the dominant species. Also keep in mind that this was Elizabeth's way of venting her issues, but again that was just her logic finding a means to overcome her emotions.

    Hope you like my opinion!!!!

    Kindest regards,

    Mina Hanna

    ReplyDelete
  53. Perhaps it is commonplace to observe that the villanelle, with its rigid structure, tight rhyme scheme and recurrent repetitious lines might be easier to accomplish in its native tongue, French. Elizabeth Bishop’s “one art” is that she has succeeded so magnificently in English.
    As one might expect, when the first and third lines are to be repeated alternately in each of the other stanzas, all of the villanelles I’ve read in English tend to circularity. Ms. Bishop’s poem has movement, found nowhere else. Her content is moving from inconsequential to sublime, her mood is moving from carefree to sober and the passion or intensity from free to, well, disaster.
    This movement is accompanied by, and to some extent accomplished by, her freedom with the form, inasmuch as she disregards the requirement of the form that the third line be repeated exactly and regularly throughout the poem. And as she gets wound up, so do her rhymes: I loved “my last, or” to rhyme with master and disaster and she takes some license to rhyme those two words with “gesture”. She also she takes some liberties with the rhythm. But then license is what poetry is all about.
    The poem is a mirror for Elizabeth Bishop’s life: She had many losses starting with her parents at an early age and leading to many intense loves. She moved from house to house, city to city, continent to continent and from loves to loves.
    Would it surprise you to learn that the Vassar Library, which has the bulk of Elizabeth Bishop's papers, has 17 drafts of this poem?

    ReplyDelete
  54. Rick: get a clue.

    ReplyDelete
  55. Not sure how some people are missing the depth of this poem. It is not flippant, you are missing the point. Read it again.

    ReplyDelete
  56. I agree with Anonymous of August 30th. Rick really hasn't got a clue - the whole point is that loss happens and even though you try to recover, there are things and people we all lose that will, for all of us in one way or another, be disaster. I too have lost - a child twenty years ago, whose loss is still DISASTER!!

    ReplyDelete
  57. really? everybody has such hi falutin' explanations for the last line. i think (Write it!) - the physical act of writing - makes it look like disaster. Because what is a truer representation of a disaster - different things to different people - than the name we have chosen to give it, the actual word. so in spelling it out - disaster, the word, will always looks like disaster. and of course, her symbolic pun is intended.

    ReplyDelete
  58. this poem still smacks of melancholy which is the lost void of poetic hearts. When loss is truely mastered there is joy, not pain

    ReplyDelete
  59. I encountered this poem first in sung form, actually. I recommend that song: "Art of Losing" from the album Dizzy Spells by The Ex. They're a Dutch anarchist post-punk / experimental rock group.

    ReplyDelete
  60. In “One Art,” Bishop uses the poem to give form to her thoughts on loss. Throughout much of the poem, her voice is flippant about the ease of which things get lost, things ranging from keys to time. In the fourth stanza, however, as she notes that she lost her mother's watch and a loved house, she sounds less willing to accept the loss. In the fifth, she says that losing two cities and an entire continent still was not a disaster, although such losses sound enormous. The last stanza is often taken to refer to the suicide of Bishop's lover, the “you” the poem says she has lost. However, when the poem says that this shows that the art of losing is “not too hard to master,” her understatement suggests the opposite, as the poem concludes that the loss “may look like (Write it!) like disaster.” The enthusiastic “Write it!” shows one way to cope with disastrous losses; through art.
    When I first looked at the title of the poem, I figured it be strongly referred to art and art only. On the contrast, it was sorrowful and meaningful. The main meaning is loss, although multiple subjects were referred back to it. I'd like to thing the author created art with this poem itself. By intaking each stanza, the reader could create a vivid image in their mind. As for an artist, like myself, I could paint so many scenes from this one poem. In addition to that statement, this also means there are multiple ways to interpret this poem. Bishop approaches this subject with composure and eloquence; it certainly doesn't lean toward the positive side, but neither does it lean to pure negativity. "One Art" makes the factor of loss sound more acceptable, pointing out it's naturalness.

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  61. nice blog.. very nice to know about this topic...

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  63. I don't think she is talking about her lover. Her girlfriend was Lota, who commited sucied in 1967.
    She had a best friend called Marianne Moore which died in 1977. I think the poem is about her (she is talking about missing the joking voice she loved, i think that referes to a verry strong friendship).
    Or maybe it's about both.
    She was in a depression during this time and she thought that nobody loved her anymore cause she had lost the last person on earth who loved her

    ReplyDelete
  64. the art of loosing is not hard to master it is difficult to let go yet once death arrives there is nothing left but resignation.

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  65. Great post one art elizabeth bishop.

    ReplyDelete
  66. a lot of you guys are dumbasses. Im in high school and I understand that Bishop is writing this as a way to make herself deal with the loss of her lover (the joking voice... belongs to a person) Shes not saying "oh man losing stuffs so easy!" shes saying that we all lose things all the time whether or not we try and shes trying to comfort herself by saying that its not the end of the world. By doing this form of poem she is forcing herself to face the situation as it is at the end. when she says "write it" shes pushing herself to complete the poem and accept her loss. (durrr)

    ReplyDelete
  67. Rick... ur an effing moron... angel who commented after... all i have to say is "wait whaaaattt?! im a dumbass who doesnt understand anything because i think its cool to be dumb when really everyone wants to strangle meee! haha waaaahhhh!"<--- thats you. go away. if you dont understand poetry either take an english class and dont sleep with the teacher to pass or just stop. just. just stop. go away. give up. dont even bother reading poetry anymore. just. just stop.

    ReplyDelete
  68. Write it at the end is a command to the reader to substitute a word for disaster, i.e., what it feels like to you the reader to lose something.

    The poem is about how inescapable loss is in life. If you think about it, one loses virtually everything -- each place, each stage of life, each relationship, life itself. Loss is inescapable. The poem is suggesting by the description that losing is an "art" that one has a choice how to react to the loss. Needless to say in the short run there is pain (disaster), but in the long run? Perhaps a different choice can be made relative to the loss. Perhaps indifference for trivial losses, or even gratitude for more serious ones.

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  105. ما هي خدمة "تحسين محركات البحث" - SEO ؟
    كلمة SEO هي إختصاراً لـ Search Engine Optimization ومعناها الحرفي هو تحسين محركات البحث، أما تعريفها التقني فهي عملية تحسين وتطوير أرشفة المواقع على الإنترنت من أجل زيادة عدد الزيارات عن طريق محركات البحث. وهناك عدة جوانب للسيو، بدءاً من المحتوى الفريد والحصري لموقعك إنتهاءاً بعدد الروابط التي تشير لموقعك من مواقع آخرى على الإنترنت وعليك أن تعرف أن هذه التقنية ليست عن كيفية ظهور موقعك لمحركات البحث فقط، بل لزوار موقعك أيضاً.

    خدمة السيو والارشفة وتهيئة مدونتك او موقعك لمحركات البحث
    مجانًا
    الرياض
    اذا كان موقعك بلوجر او ووردبريس خدمة تهيئة المواقع لمحركات البحث لزيادة فرص ظهور موقعك في الصفحات الاولي

    تنبيه / فحص موقعك مجانا
    تنبيه / المدة و السعر يختلف بناء على احتياج الموقع

    ما أقوم بعمله الأتي :
    - ضبط الأسم والوصف والكلمات المفتاحية المتعلقة بمدونتك او موقعك داخل الميتا تاج
    - عمل باك لينكس - مسك كلمات
    - عمل وصف للموقع بالكلمات الافتتاحية المختارة Description Tag
    - إعداد خريطة الموقع sitemap وتقديمها لأدوات مشرفي المواقع بشكل سليم
    - ارسال روابط مدونتك لجوجل لجعل عناكب محركات البحث بشكل يدوي لتسريع الارشفة
    - تحديد وتصنيف واضافة محتوى الكلمات المفتاحية الخاصة بالموقع Meta Keywords
    - انشاء ملف ال Robots.TXT الذي يتوافق بشكل كامل مع محركات البحث وال SEO
    - اضافة يدوية للموقع فى كل محركات البحث للتأكد تفعيل الارشفة بشكل نهائى
    خبير سيو
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    seo تعلم
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  106. من أفضل المقالات على الإطلاق صراحة تستحق التعمق أكثر واكثر لقد سعدت بقراءة مقالك وانا فخور بك وبما تقدمه في مدونتك ف انت مثال للمدونات العربية التي تقدم محتوي مفيد
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  107. من أفضل المقالات على الإطلاق صراحة تستحق التعمق أكثر واكثر لقد سعدت بقراءة مقالك وانا فخور بك وبما تقدمه في مدونتك ف انت مثال للمدونات العربية التي تقدم محتوي مفيد
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    مقابر للبيع بمحافظة القاهرة
    مقابر للبيع
    مقابر للبيع مدينة السلام
    تسويق عبر الفيديو
    افضل شركة سيو في مصر
    مدافن للبيع
    خبير سيو
    سيو
    خبير سيو

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  108. This comment has been removed by the author.

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  110. ليس من الضروري تنظيف منزلك كل يوم ، ولكن يزداد عدد مرات تنظيف منزلك بشكل ملحوظ عندما يمرض شخص واحد. يعد وضع كل من هذه الأسطح التي يتم لمسها بشكل شائع على قوائم التنظيف الخاصة بك في المنزل أمرًا مهمًا لمكافحة الأمراض والعدوى. إذا جعلت مسح هذه الأسطح ممارسة يومية ، فسترى سريعًا كيف أن تنظيف المنزل هو إحدى الخطوات الأولى للتغلب على المرض.
    عندما تبدأ في تنظيف منزلك وتنظيمه ، من المهم استهداف مناطق معينة يتم التطرق إليها بشكل شائع. باستخدام منتجات التنظيف المنزلية المضادة للبكتيريا ، قم بتطهير جميع مقابض الأبواب والحنفيات ومفاتيح الإضاءة وأجهزة التحكم عن بُعد وأسطح الطاولات والكراسي الصلبة. تأكد من استخدام منتجات التنظيف المنزلية المطهرة في جميع أنحاء الحمامات والمطبخ.
    شركة تنظيف بجازان
    يتسخ أثاث غرفة المعيشة بسرعة ، ومن وقت لآخر قد تلاحظ بقعة لونية تركها طفلك على الأريكة ، أو بقايا الطعام ، أو بقعة قهوة أو شاي تحتاج إلى معرفة كيفية تنظيف الأريكة من البقع الصعبة دون أن تفقد لمعانها خاصة أنه لا توجد طريقة موحدة لتنظيف جميع أنواع الأرائك
    إذا كانت الأريكة الخاصة بك ملطخة ، فلديك مجموعة متنوعة من الخيارات لتنظيفها ، اعتمادًا على نوع القماش والبقعة. ابدأ بالرجوع إلى علامة العناية الخاصة برمز التنظيف ، والتي ستخبرك بالمنتجات والمنظفات الآمنة للاستخدام على هذا القماش المعين. بمجرد أن تعرف ذلك ، يمكنك المتابعة باستخدام منظف مائي أو مذيب للتنظيف الجاف
    لتنظيف البقع على قماش التنجيد ، يمكنك خلط ربع كوب من الخل مع ثلاثة أرباع أكواب من الماء الدافئ وملعقة كبيرة من سائل غسيل الأطباق ، ثم رش الخليط على الزجاجة ورشها على التربة ، ثم امسح بقطعة قماش حتى تختفي البقعة ، ثم استخدم قطعة قماش أخرى مبللة بالماء ، امسح الصابون في نفس المنطقة ، ثم جفف المنشفة بقطعة القماش.
    شركة تنظيف مجالس بجازان

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