The Word -- Tony Hoagland

Guest poem submitted by Rachel Morarjee:
(Poem #1969) The Word
 Down near the bottom
 of the crossed-out list
 of things you have to do today,

 between "green thread"
 and "broccoli" you find
 that you have penciled "sunlight."

 Resting on the page, the word
 is as beautiful, it touches you
 as if you had a friend

 and sunlight were a present
 he had sent you from some place distant
 as this morning -- to cheer you up,

 and to remind you that,
 among your duties, pleasure
 is a thing,

 that also needs accomplishing
 Do you remember?
 that time and light are kinds

 of love, and love
 is no less practical
 than a coffee grinder

 or a safe spare tire?
 Tomorrow you may be utterly
 without a clue

 but today you get a telegram,
 from the heart in exile
 proclaiming that the kingdom

 still exists,
 the king and queen alive,
 still speaking to their children,

 - to any one among them
 who can find the time,
 to sit out in the sun and listen.
-- Tony Hoagland
I stumbled across this poem today, in a book given to me by a friend in
Afghanistan, where I now live, and where the stream of news is endlessly
depressing. It was a reminder, that each one of us, whereever we live,
needs a gentle prod to remember that within the daily grind of modern
life, "pleasure/ is a thing / that also needs
accomplishing."

This poem is from Tony Hoagland's first anthology Sweet Ruin, and is
perhaps the most unalloyed and directly sweet poem he has written, in
contrast to much of his other work which addresses the bitter humour of
disillusion and the heart's struggle to clamber over the accumulated
detritus of disappointment -- and does it with a light humourous touch.

Sweet Ruin won the 1992 Brittingham Prize in Poetry and Hoagland has
since published two other books, Donkey Gospel, and What Narcissism
Means to Me. On the back of the last book it said he teaches at the
University of Houston, but I wasn't able to check online from here today.

Rachel.

2,129 comments:

  1. Thank you Rachel for submitting this poem. It was just the poem I was
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    list' before Winter comes. I really like the way this poet uses the
    immediate world around us and gets us to look at it and use it in a
    different way. Wonderful.
    Cheery,
    Lois

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  4. Another anonymous commenter expressing delight that Minstrels is back up. Great poems!

    I think today's poem comes at a very relevant time, as it speaks to many students such as myself who are struggling to find a balance between mid-term obligations and the new sunlight spring brings. The personal impact of this poem on me was further amplified by its use of the second-person pronoun "you".

    As Lois above states, the way the poem uses images of the immediate world around us is really nice. I also enjoy the way it begins very concretely, employing the image of words on a "to-do list", and then flows into a more philosophical discussion about the purpose of our daily chores. A soft and pleasant reminder not to get carried away by our quotidian duties and "to sit out in the sun and listen".

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  15. Here's an interesting aside, since the poem starts with a shopping list on which is written the word 'sunlight'. Sunlight is a brand of soap. The owner of the soap factory built a village for his workers. Today it is something of a visitor attraction. It is on the Wirral in Cheshire (UK). The place is called Port Sunlight.

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  61. Anthony Dey Hoagland is an American poet and writer. His poetry collection 2003, What Narcissism Means to Me, was a finalist for the National Book Critics Circle Award. Other honors include two grants from the National Endowment for the Arts,

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  62. He was born in Fort Bragg, North Carolina. His father was an Army doctor, and Hoagland grew up on various military bases throughout the South. He was educated at Williams College, the University of Iowa (B.A.), and the University of Arizona (M.F.A.).

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  63. In an interview with Miriam Sagan about his poetic influences, Hoagland said, "if I were going to place myself on some aesthetic graph, my dot would be equidistant between Sharon Olds and Frank O’Hara, between the confessional (where I started) and the social (where I have aimed myself).

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