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Meeting Point -- Louis MacNeice

       
(Poem #1301) Meeting Point
 Time was away and somewhere else,
 There were two glasses and two chairs
 And two people with the one pulse
 (Somebody stopped the moving stairs)
 Time was away and somewhere else.

 And they were neither up nor down;
 The stream's music did not stop
 Flowing through heather, limpid brown,
 Although they sat in a coffee shop
 And they were neither up nor down.

 The bell was silent in the air
 Holding its inverted poise -
 Between the clang and clang a flower,
 A brazen calyx of no noise:
 The bell was silent in the air.

 The camels crossed the miles of sand
 That stretched around the cups and plates;
 The desert was their own, they planned
 To portion out the stars and dates:
 The camels crossed the miles of sand.

 Time was away and somewhere else.
 The waiter did not come, the clock
 Forgot them and the radio waltz
 Came out like water from a rock:
 Time was away and somewhere else.

 Her fingers flicked away the ash
 That bloomed again in tropic trees:
 Not caring if the markets crash
 When they had forests such as these,
 Her fingers flicked away the ash.

 God or whatever means the Good
 Be praised that time can stop like this,
 That what the heart has understood
 Can verify in the body's peace
 God or whatever means the Good.

 Time was away and she was here
 And life no longer what it was,
 The bell was silent in the air
 And all the room one glow because
 Time was away and she was here.
-- Louis MacNeice
MacNeice in this poem tries to capture the suspension of time that seems
to occur when one is in the company of a loved one. Three images in
particular stand out for me: the stalled escalator (escalators being the
embodiment of perpetual motion -- the infinite loop, as it were), the
inverted bell (pendulums at their extrema always seem to slow down more
than they should) and the empty desert (the high desert, like the
Siberian tundra and the antarctic plateau, has a profoundly hypnotic
_sameness_ to it).

Sadly, the rest of the poem (beguiling rhyme scheme apart) doesn't quite
do the trick. I found the sixth stanza somewhat pointless, and the
scansion of the second stanza is decidedly uneven. (That said, I'm not
sure if more exact prosody would have helped the poem or reduced it to
sing-song triteness). And finally, the ambiguity that gives poems like
"The Sunlight on the Garden" or "House on a Cliff" or "Snow" their
power, here seems to betoken a lack of confidence, a thinning of the
blood.

Methinks I cavil too much. All criticism aside, this remains a very
accomplished poem, if not MacNeice's finest. I really must read more of
his work.

thomas.

The Workman's Friend -- Flann O'Brien

Guest poem submitted by Jeff Berndt:
(Poem #1300) The Workman's Friend
 When things go wrong and will not come right,
 Though you do the best you can,
 When life looks black as the hour of night -
 A PINT OF PLAIN IS YOUR ONLY MAN.

 When money's tight and hard to get
 And your horse has also ran,
 When all you have is a heap of debt -
 A PINT OF PLAIN IS YOUR ONLY MAN.

 When health is bad and your heart feels strange,
 And your face is pale and wan,
 When doctors say you need a change,
 A PINT OF PLAIN IS YOUR ONLY MAN.

 When food is scarce and your larder bare
 And no rashers grease your pan,
 When hunger grows as your meals are rare -
 A PINT OF PLAIN IS YOUR ONLY MAN.

 In time of trouble and lousy strife,
 You have still got a darlint plan
 You still can turn to a brighter life -
 A PINT OF PLAIN IS YOUR ONLY MAN.
-- Flann O'Brien
written under the psudonym "Brian O'Nolan".

I heard this poem in Dublin some years back and it stuck with me in
spirit if not in letter.  Only recently have I come across a print copy
in its entirety, which isn't too surprising in that I was told it was
written by Brendan Behan, which it isn't. I thought you might enjoy it
and consider it for use as a guest poem sometime.

It's from a novel called "At Swim Two Birds". Here's another quote from
the novel: "There's one thing in that pome, permanence, if you know what
I mean. That pome, I mean to say, is a pome that'll be heard wherever
the Irish race is wont to gather, it'll live as long as there's a hard
root of an Irishman left by the Almighty on this planet, mark my words."

Other works by Flann O'Brien include:
        The Dalkey Archive
        The Hard Life: An Exegesis of Squalor
        The Third Policeman
        An Béal Bocht (The Poor Mouth)

(I haven't read them.)

More info about O'Brien and his works can be found at
        http://www.hellshaw.com/flann/index.html

All the best,
Jeff Berndt.

Of You -- Norman MacCaig

Guest poem submitted by Laura Simeon:
(Poem #1299) Of You
 When the little devil, panic,
 begins to grin and jump about
 in my heart, in my brain, in my muscles,
 I am shown the path I had lost
 in the mountainy mist.

 I'm writing of you.

 When the pain that will kill me
 is about to be unbearable,
 a cool hand
 puts a tablet on my tongue and the pain
 dwindles away and vanishes.

 I'm writing of you.

 There are fires to be suffered,
 the blaze of cruelty, the smoulder
 of inextinguishable longing, even
 the gentle candleflame of peace
 that burns too.

 I suffer them.  I survive.

 I'm writing of you.
-- Norman MacCaig
I encountered Norman MacCaig for the first time on Minstrels two years
ago, something for which I am eternally grateful.  Needing to read more
of his work, I found _Norman MacCaig: Selected Poems_, edited by Douglas
Dunn (Chatto & Windus, 1997), in which I found this gem, one of his
previously unpublished works.

MacCaig described himself as a "Zen Calvinist," which Dunn expands upon
when he writes that "in MacCaig's poems the Yes often implies (and
sometimes states) a No..."  In "Of You" there seems to me to be
something of this greater truth behind an apparent contradiction, with
great love bringing pain and comfort in equal measures.  Saying Yes to
love is saying Yes to more than simple, unadulterated joy.

Laura.

Miss Gee -- W H Auden

Guest poem submitted by :
(Poem #1298) Miss Gee
 Let me tell you a little story
   About Miss Edith Gee;
 She lived in Clevedon Terrace
   At number 83.

 She'd a slight squint in her left eye,
   Her lips they were thin and small,
 She had narrow sloping shoulders
   And she had no bust at all.

 She'd a velvet hat with trimmings,
   And a dark grey serge costume;
 She lived in Clevedon Terrace
   In a small bed-sitting room.

 She'd a purple mac for wet days,
   A green umbrella too to take,
 She'd a bicycle with shopping basket
   And a harsh back-pedal break.

 The Church of Saint Aloysius
   Was not so very far;
 She did a lot of knitting,
   Knitting for the Church Bazaar.

 Miss Gee looked up at the starlight
   And said, 'Does anyone care
 That I live on Clevedon Terrace
   On one hundred pounds a year?'

 She dreamed a dream one evening
   That she was the Queen of France
 And the Vicar of Saint Aloysius
   Asked Her Majesty to dance.

 But a storm blew down the palace,
   She was biking through a field of corn,
 And a bull with the face of the Vicar
   Was charging with lowered horn.

 She could feel his hot breath behind her,
   He was going to overtake;
 And the bicycle went slower and slower
   Because of that back-pedal break.

 Summer made the trees a picture,
   Winter made them a wreck;
 She bicycled to the evening service
   With her clothes buttoned up to her neck.

 She passed by the loving couples,
   She turned her head away;
 She passed by the loving couples,
   And they didn't ask her to stay.

 Miss Gee sat in the side-aisle,
   She heard the organ play;
 And the choir sang so sweetly
   At the ending of the day,

 Miss Gee knelt down in the side-aisle,
   She knelt down on her knees;
 'Lead me not into temptation
   But make me a good girl, please.'

 The days and nights went by her
   Like waves round a Cornish wreck;
 She bicycled down to the doctor
   With her clothes buttoned up to her neck.

 She bicycled down to the doctor,
  And rang the surgery bell;
 'O, doctor, I've a pain inside me,
   And I don't feel very well.'

 Doctor Thomas looked her over,
   And then he looked some more;
 Walked over to his wash-basin,
  Said,'Why didn't you come before?'

 Doctor Thomas sat over his dinner,
   Though his wife was waiting to ring,
 Rolling his bread into pellets;
   Said, 'Cancer's a funny thing.

 'Nobody knows what the cause is,
   Though some pretend they do;
 It's like some hidden assassin
   Waiting to strike at you.

 'Childless women get it.
   And men when they retire;
 It's as if there had to be some outlet
   For their foiled creative fire.'

 His wife she rang for the servent,
   Said, 'Dont be so morbid, dear';
 He said: 'I saw Miss Gee this evening
   And she's a goner, I fear.'

 They took Miss Gee to the hospital,
   She lay there a total wreck,
 Lay in the ward for women
   With her bedclothes right up to her neck.

 They lay her on the table,
   The students began to laugh;
 And Mr. Rose the surgeon
   He cut Miss Gee in half.

 Mr. Rose he turned to his students,
   Said, 'Gentlemen if you please,
 We seldom see a sarcoma
   As far advanced as this.'

 They took her off the table,
   They wheeled away Miss Gee
 Down to another department
   Where they study Anatomy.

 They hung her from the ceiling
   Yes, they hung up Miss Gee;
 And a couple of Oxford Groupers
   Carefully dissected her knee.
-- W H Auden
At last I've found Miss Gee (again)! I first encountered her cycling
along in her purple mac pursued by the Vicar bull in a college textbook.
In her own quiet way Miss Gee spoke volumes for loneliness, repression,
disease and death. Something about this sad, funny, cruel tale struck me
and I was never able to forget the protagonist.

Now many years later after searching in vain on the internet, I decided
to go and look through the Auden collection at the University. Sure
enough there she was in stack 800 something, hiding with her clothes
buttoned up to her neck!

For me the most important facet of the poem is that it never really lets
you sympathise easily with Miss Gee. Instead of creating dark
sentimental lines to make us feel Miss Gee's misery, Auden turns the
tables and invites us to laugh at her. And it is through the cruel humor
of this deceptively simple poem, through our own guilt, and recognition
that we begin to understand Miss Gee's tragedy...

Some things that caught my attention on reading this poem the second
time were the mention of Saint Aloysius, and the 'Cornish Wreck'. So I
went and did some research:

Saint Aloysius: Born in Castiglione, Spain on the 9th of March in 1568.
Aloysius was also deeply faithful and pious. By the age of 9 he had
privately decided on a religious Life, and made a vow of perpetual
virginity. He practiced many devotions and mortifications, and
safeguarded himself at all times from possible temptation. A kidney
disease confined Saint Aloysius to his bed for some time, removed from
the normal full social life of a young man in his position. Bedrest
would be a difficult challenge for any vigourous young man, but Aloysius
resigned himself to it. Far from being bored, or despairing of his
health, he spent his time in prayer and reading the Lives of the Saints.
His resolve to become a Jesuit was formed and firmed at this time. He
served in a hospital during the plague of 1587 in Milan. In time, he
fell victim to the dreaded disease himself, and died at the age of 23.
This young man, patron to all young people, was beatified in 1621, and
declared a saint in 1725.
        --
http://www.domestic-church.com/CONTENT.DCC/19980501/SAINTS/STALOY.HTM )

So it was to this gentle Patron Saint of the young and the sick that
Miss Gee prayed to make her a 'good girl'...

Cornish Wreck: Apparently there are some 3,500 odd wreck sites that have
been accounted for around the dangerous Cornish coastline. Some if not
all of these have become tourist attractions, and thousands of avid
divers dissect the Cornish coast for these wrecks.
        -- [broken link] http://lyonessetrading.co.uk/THE%20SEA/WRECKS.htm

Miss Gee is among the thousands of silent lives that have been destroyed
by the ravages of cancer. Of course she happened to be one of the rare
few who lived beyond her life in the anatomy chambers. After a life time
of repression, buttoning-up, and muffled yearnings (for loving couples
and the Vicar) Miss Gee finally had her pick of Oxford Groupers*
hovering around her wreck!

* Grouper: noun, plural 'groupers' also 'grouper'
Etymology: Portuguese 'garoupa'
Any of numerous fishes (family Serranidae and especially genera
Epinephelus and Mycteroperca) that are typically large solitary
bottom-dwelling fishes of warm seas
        -- www.m-w.com

but also

* a member of the "Oxford Group": This movement, which began around
1908, was originally called "A First Century Christian Fellowship". It
was begun by Frank N. Buchman, a Lutheran minister from Pennsylvania.
The Oxford Group was focused upon changing the world, 'One Person at a
Time'. At Oxford Group 'House Parties', members 'surrendered' on their
knees and gave testimony (or shared) of their deliverance from their
'sin' of alcoholism, smoking, etc. Around 1940 the Oxford Group changed
its name to Moral Re-Armament. This movement still exists today with
offices worldwide.
        -- [broken link] http://members.tripod.com/aainsa/history/founding.html

The Birthright -- Eiluned Lewis

Guest poem sent in by Dave Fortin :
(Poem #1297) The Birthright
 We who were born
 In country places,
 Far from cities
 And shifting faces,
 We have a birthright
 No man can sell,
 And a secret joy
 No man can tell.

 For we are kindred
 To lordly things,
 The wild duck's flight
 And the white owl's wings;
 To pike and salmon,
 To bull and horse,
 The curlew's cry
 And the smell of gorse.

 Pride of trees,
 Swiftness of streams,
 Magic of frost
 Have shaped our dreams:
 No baser vision
 Their spirit fills
 Who walk by right
 On the naked hills.
-- Eiluned Lewis
I grew up in rural Missouri and this evokes happy memories, especially
now that I am stuck in a sprawling subruban environment. I like the
usage of the short lines and traditional Welsh imagery to bring forth
the beauty and joys of rural life.

As for the poetess, Eiluned Lewis (1900-1979) was born at Newtown,
Montgomeryshire. She became a journalist and was assistant editor of The
Sunday Times, 1931-36. Her novel _Dew on the Grass_ (1934) won the Gold
Medal of the Book Guild.

Dave Fortin