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The Telephone -- Robert Frost

Guest poem sent in by Radhika Gowaikar
(Poem #1324) The Telephone
 "When I was just as far as I could walk
 From here to-day,
 There was an hour
 All still
 When leaning with my head against a flower
 I heard you talk.
 Don't say I didn't, for I heard you say--
 You spoke from that flower on the window sill--
 Do you remember what it was you said?"

 "First tell me what it was you thought you heard."

 "Having found the flower and driven a bee away,
 I leaned my head,
 And holding by the stalk,
 I listened and I thought I caught the word--
 What was it? Did you call me by my name?
 Or did you say--
 *Someone* said 'Come' -- I heard it as I bowed."

 "I may have thought as much, but not aloud."

 "Well, so I came."
-- Robert Frost
Text within *s in italics.
From Louis Untermeyer's 'Robert Frost's Poems.'

I like Robert Frost. Usually, it is the way his intellect and wit
simultaneously shine through his verse that I appreciate most. But this
poem appeals to me differently. I like its simplicity (and that of its
characters) and the 'telephone' is just such a sweet notion. The
artlessness of the "Well, so I came." always makes me smile. I think this
poem shows a different facet of the genius that is Frost.

Radhika Gowaikar

Strugnell's Sonnets (VI) -- Wendy Cope

       
(Poem #1323) Strugnell's Sonnets (VI)
 Let me not to the marriage of true swine
 Admit impediments. With his big car
 He's won your heart, and you have punctured mine.
 I have no spare; henceforth I'll bear the scar.
 Since women are not worth the booze you buy them
 I dedicate myself to Higher Things.
 If men deride and sneer, I shall defy them
 And soar above Tulse Hill on poet's wings --
 A brother to the thrush in Brockwell Park,
 Whose song, though sometimes drowned by rock guitars,
 Outlives their din. One day I'll make my mark,
 Although I'm not from Ulster or from Mars,
 And when I'm published in some classy mag
 You'll rue the day you scarpered in his Jag.
-- Wendy Cope
 From "Making Cocoa for Kingsley Amis", published 1986.
 Attributed by Ms Cope to Jason Strugnell, the somewhat impressionable
but always enthusiastic Bard of Tulse Hill.

 Being a good poet is hard enough; being a good _bad_ poet is (dare I
say it) even harder. Wendy Cope's creation, the irrepressible Jason
Strugnell, can be tiresome sometimes, but by and large his 'work' is
marvellously funny. Like William McGonagall or Julia Moore, he remains
blithely unaware of his shortcomings; it's his utter lack of
self-consciousness that makes him so memorable.

 Strugnell's intolerable egotism, his unrelieved seriousness, and his
laughably narrow horizons all make him the perfect tump (Cope's acronym
for "typically useless male poet"). In presenting her (fictitious)
protagonist, Cope makes some serious points about the qualities (and
flaws) of the latter group. But Strugnell is not merely a figure of
ridicule. He's certainly funny, but in his shallow, self-centred way,
he's also somewhat sad. He may not be very likable, but he remains
pitiable nonetheless.

thomas.

[Minstrels Links]

More from the irrepressible Strugnell:
Poem #587, Strugnell's Rubaiyat
Poem #693, Strugnell's Haiku

Non-Strugnell Cope poems:
Poem #859, Waste Land Limericks
Poem #859, An Unusual Cat-Poem

And Bill Shakespeare's original:
Poem #363, Let me not to the marriage of true minds (Sonnet CXVI)

[Other Links]

Here's a very nice article on Ms Cope and her poetry:
[broken link] http://books.guardian.co.uk/Print/0,3858,4193029,00.html

Here's an essay on Wendy Cope and the weight of light verse:
http://www.n2hos.com/acm/rev1299a.html

Both are well worth a read, do take a look.

Climbing You -- Erica Jong

Guest poem sent in by arvind natarajan
(Poem #1322) Climbing You
 I want to understand the steep thing
 that climbs ladders in your throat.
 I can't make sense of you.
 Everywhere I look you're there--
 a vast landmark, a volcano
 poking its head through the clouds,
 Gulliver sprawled across Lilliput.

 I climb into your eyes, looking.
 The pupils are black painted stage flats.
 They can be pulled down like window shades.
 I switch on a light in your iris.
 Your brain ticks like a bomb.

 In your offhand, mocking way
 you've invited me into your chest.
 Inside: the blur that poses as your heart.
 I'm supposed to go in with a torch
 or maybe hot water bottles
 & defrost it by hand
 as one defrosts an old refrigerator.
 It will shudder & sigh
 (the icebox to the insomniac).

 Oh there's nothing like love between us.
 You're the mountain, I am climbing you.
 If I fall, you won't be all to blame,
 but you'll wait years maybe
 for the next doomed expedition
-- Erica Jong
Searching for poems by Erica on the net, landed up
reading this lovely poem.

Liked the following lines in particular:

  The pupils are black painted stage flats.
  They can be pulled down like window shades.
  I switch on a light in your iris.

arvind

[Martin adds]

Intriguing poem - I loved the imagery, particularly in the brilliant last
verse. It reminded me a bit of Atwood's [Poem #1093]

        I would like to be the air
        that inhabits you for a moment
        only. I would like to be that unnoticed
        & that necessary.

- there's the same sense of 'selfless' attachment, and the wryly humorous
tone promising more, perhaps, than the other is willing to receive.

martin

Biography:

 Born March 26, 1942, New York to Seymour Mann a
 musician, and Eda Mirsky, a painter.

 Interesting to note that her first publication party,
 in 1971, was held in a fruit and vegetable market. She
 read selections from her poetry book "Fruits &
 Vegetables" perched on a crate of grapefruits and
 oranges!

 More on her website www.ericajong.com

Ramon -- Bret Harte

Guest poem sent in by Mallika Chellappa
(Poem #1321) Ramon
 Drunk and senseless in his place,
 Prone and sprawling on his face,
 More like brute than any man
 Alive or dead,
 By his great pump out of gear,
 Lay the peon engineer,
 Waking only just to hear,
 Overhead,
 Angry tones that called his name,
 Oaths and cries of bitter blame,--
 Woke to hear all this, and, waking, turned and fled!

 "To the man who`ll bring to me,"
 Cried Intendant Harry Lee,--
 Harry Lee, the English foreman of the mine,--
 "Bring the sot alive or dead,
 I will give to him," he said,
 "Fifteen hundred pesos down,
 Just to set the rascal's crown
 Underneath this heel of mine:
 Since but death
 Deserves the man whose deed,
 Be it vice or want of heed,
 Stops the pumps that give us breath,--
 Stops the pumps that suck the death
  From the poisoned lower levels of the mine!"

 No one answered; for a cry
 From the shaft rose up on high,
 And shuffling, scrambling, tumbling from below,
 Came the miners each, the bolder
 Mounting on the weaker`s shoulder,
 Grappling, clinging to their hold or
 Letting go,
 As the weaker gasped and fell
 From the ladder to the well,--
 To the poisoned pit of hell
 Down below!

 "To the man who sets them free,"
 Cried the foreman, Harry Lee,--
 Harry Lee, the English foreman of the mine,--
 "Brings them out and sets them free,
 I will give that man," said he,
 "Twice that sum, who with a rope
 Face to face with Death shall cope.
 Let him come who dares to hope!"
 "Hold your peace!" some one replied,
 Standing by the foreman`s side;
 "There has one already gone, whoe'er he be!"

 Then they held their breath with awe,
 Pulling on the rope, and saw
 Fainting figures reappear,
 On the black rope swinging clear,
 Fastened by some skillful hand from below;
 Till a score the level gained,
 And but one alone remained,--
 He the hero and the last,
 He whose skillful hand made fast
 The long line that brought them back to hope and cheer!

 Haggard, gasping, down dropped he
 At the feet of Harry Lee,--
 Harry Lee, the English foreman of the mine.
 "I have come," he gasped, "to claim
 Both rewards. Senor, my name
 Is Ramon!
 I'm the drunken engineer,
 I'm the coward, Senor"-- Here
 He fell over, by that sign,
 Dead as stone!
-- Bret Harte
Another oldie and goodie from my brother's poetry text - "Poems Old and New"

Heroic acts by everyday unlikely heroes.  Altruism (survival of the species
at the cost of the individual) is alive and well in literature at least!

Mallika Chellappa

[Martin adds]

More than altruism, the poem draws on another powerful and universal theme -
the desperately heroic act of self-redemption by one who has shamed himself.
Note the strict accounting principle at work - Ramon has endangered the
lives of others, and therefore paid for his mistake with his life. His
heroism likewise wipes out his cowardice, and he dies with honour intact.
(Incidentally, the best twist I've seen on this theme was in an sf story,
where in the final scene, the girl leaves the hero - she couldn't bear to stay
with anyone so selfish he'd endanger all their lives for the sake of his
honour).

The Revenge : A Ballad of the Fleet -- Alfred, Lord Tennyson

Guest poem sent in by Ashwin Menon
(Poem #1320) The Revenge : A Ballad of the Fleet
 At Flores in the Azores Sir Richard Grenville lay,
 And a pinnace, like a fluttered bird, came flying from far away:
 "Spanish ships of war at sea! we have sighted fifty-three!"
 Then sware Lord Thomas Howard: "'Fore God I am no coward;
 But I cannot meet them here, for my ships are out of gear,
 And the half my men are sick. I must fly, but follow quick.
 We are six ships of the line; can we fight with fifty-three?"

 Then spake Sir Richard Grenville: "I know you are no coward;
 You fly them for a moment to fight with them again.
 But I've ninety men and more that are lying sick ashore.
 I should count myself the coward if I left them, my Lord Howard,
 To these Inquisition dogs and the devildoms of Spain."

 So Lord Howard passed away with five ships of war that day,
 Till he melted like a cloud in the silent summer heaven;
 But Sir Richard bore in hand all his sick men from the land
 Very carefully and slow,
 Men of Bideford in Devon,
 And we laid them on the ballast down below;
 For we brought them all aboard,
 And they blest him in their pain, that they were not left to Spain,
 To the thumbscrew and the stake, for the glory of the Lord.

 He had only a hundred seamen to work the ship and to fight,
 And he sailed away from Flores till the Spaniard came in sight,
 With his huge sea-castles heaving upon the weather bow.
 "Shall we fight or shall we fly?
 Good Sir Richard, tell us now,
 For to fight is but to die!
 There'll be little of us left by the time this sun be set."
 And Sir Richard said again: "We be all good English men.
 Let us bang these dogs of Seville, the children of the devil,
 For I never turned my back upon Don or devil yet."

 Sir Richard spoke and he laughed, and we roared a hurrah, and so
 The little Revenge ran on sheer into the heart of the foe,
 With her hundred fighters on deck, and her ninety sick below;
 For half of their fleet to the right and half to the left were seen,
 And the little Revenge ran on through the long sea-lane between.

 Thousands of their soldiers looked down from their decks and laughed,
 Thousands of their seamen made mock at the mad little craft
 Running on and on, till delayed
 By their mountain-like San Philip that, of fifteen hundred tons,
 And up-shadowing high above us with her yawning tiers of guns,
 Took the breath from our sails, and we stayed.

 And while now the great San Philip hung above us like a cloud
 Whence the thunderbolt will fall
 Long and loud,
 Four galleons drew away
 From the Spanish fleet that day,
 And two upon the larboard and two upon the starboard lay,
 And the battle-thunder broke from them all.

 But anon the great San Philip, she bethought herself and went
 Having that within her womb that had left her ill content;
 And the rest they came aboard us, and they fought us hand to hand,
 For a dozen times they came with their pikes and musqueteers,
 And a dozen times we shook 'em off as a dog that shakes his ears
 When he leaps from the water to the land.

 And the sun went down, and the stars came out far over the summer sea,
 But never a moment ceased the fight of the one and the fifty-three.
 Ship after ship, the whole night long, their high-built galleons came,
 Ship after ship, the whole night long, with her battle-thunder and flame;
 Ship after ship, the whole night long, drew back with her dead and her shame.
 For some were sunk and many were shattered, and so could fight us no more -
 God of battles, was ever a battle like this in the world before?

 For he said "Fight on! fight on!"
 Though his vessel was all but a wreck;
 And it chanced that, when half of the short summer night was gone,
 With a grisly wound to be dressed he had left the deck,
 But a bullet struck him that was dressing it suddenly dead,
 And himself he was wounded again in the side and the head,
 And he said "Fight on! fight on!"

 And the night went down, and the sun smiled out far over the summer sea,
 And the Spanish fleet with broken sides lay round us all in a ring;
 But they dared not touch us again, for they feared that we still could sting,
 So they watched what the end would be.
 And we had not fought them in vain,
 But in perilous plight were we,
 Seeing forty of our poor hundred were slain,
 And half of the rest of us maimed for life
 In the crash of the cannonades and the desperate strife;
 And the sick men down in the hold were most of them stark and cold,
 And the pikes were all broken or bent, and the powder was all of it spent;
 And the masts and the rigging were lying over the side;
 But Sir Richard cried in his English pride,
 "We have fought such a fight for a day and a night
 As may never be fought again!
 We have won great glory, my men!
 And a day less or more
 At sea or ashore,
 We die -does it matter when?
 Sink me the ship, Master Gunner -sink her, split her in twain!
 Fall into the hands of God, not into the hands of Spain!"

 And the gunner said "Ay, ay," but the seamen made reply:
 "We have children, we have wives,
 And the Lord hath spared our lives.
 We will make the Spaniard promise, if we yield, to let us go;
 We shall live to fight again and to strike another blow."
 And the lion there lay dying, and they yielded to the foe.

 And the stately Spanish men to their flagship bore him then,
 Where they laid him by the mast, old Sir Richard caught at last,
 And they praised him to his face with their courtly foreign grace;
 But he rose upon their decks, and he cried:
 "I have fought for Queen and Faith like a valiant man and true;
 I have only done my duty as a man is bound to do:
 With a joyful spirit I Sir Richard Grenville die!"
 And he fell upon their decks, and he died.

 And they stared at the dead that had been so valiant and true,
 And had holden the power and glory of Spain so cheap
 That he dared her with one little ship and his English few;
 Was he devil or man? He was devil for aught they knew,
 But they sank his body with honour down into the deep,
 And they manned the Revenge with a swarthier alien crew,
 And away she sailed with her loss and longed for her own;
 When a wind from the lands they had ruined awoke from sleep,
 And the water began to heave and the weather to moan,
 And or ever that evening ended a great gale blew,
 And a wave like the wave that is raised by an earthquake grew,
 Till it smote on their hulls and their sails and their masts and their flags,
 And the whole sea plunged and fell on the shot-shattered navy of Spain,
 And the little Revenge herself went down by the island crags
 To be lost evermore in the main.
-- Alfred, Lord Tennyson
Here's another narrative poem. I was a bit surprised that the minstrels have
not run this one before. I came across this poem when I listened to a song
called "Lord Grenville" by Al Stewart, and I was curious whether Grenville was
a historical character. A great song, by the way. For those interested in
comparing the song to the poem, I've added the song lyrics below.

The song:

Lord Grenville (by Al Stewart)

Go and tell Lord Grenville that the tide is on the turn
It's time to haul the anchor up and leave the land astern
We'll be gone before the dawn returns
Like voices on the wind.

Go and tell Lord Grenville that our dreams have run aground
There's nothing here to keep us in this shanty town
None of us are caring where we're bound
Like voices on the wind

And come the day you'll hear them saying
They're throwing it all away
Nothing more to say
Just throwing it all away

Go and fetch the captain's log and tear the pages out
We're on our way to nowhere now, can't bring the helm about
None of us are left in any doubt
We won't be back again

Send a message to the fleet, they'll search for us in vain
We won't be there among the reaches of the Spanish Main
Tell the ones we left home not to wait
We won't be back again.

Our time is just a point along a line
That runs forever with no end
I never thought that we would come to find
Ourselves upon these rocks again

Here's what www.alstewart.com has to say on the
incident described in the poem:

Sir Richard Grenville (1542-1591)

English Naval commander. He was sent with a fleet of
13 ships to intercept a Spanish treasure ship in the
Azores. On August 31 they received news that 53
Spanish ships were headed out to meet the treasure
ship. Other ships in the fleet weighed anchor and
headed out to sea. Grenville's ship, the Revenge, was
delayed and cut off. The ship was becalmed in the lee
of a large galleon. After a hand to hand battle
lasting 15 hours, involving 15 ships and 5000 men, the
Revenge was captured. Grenville was carried aboard the
Spanish flagship, where he died a few days later. The
exploit is commemorated in a poem by Tennyson titled
"the Revenge"

- Ashwin