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Vanitas Vanitatum -- John Webster

Guest poem sent in by Rajeev Cherukupalli
(Poem #1753) Vanitas Vanitatum
 All the flowers of the spring
 Meet to perfume our burying;
 These have but their growing prime,
 And man does flourish but his time:
 Survey our progress from our birth;
 We are set, we grow, we turn to earth.
 Courts adieu, and all delights,
 All bewitching appetites!
 Sweetest breath and clearest eye,
 Like perfumes, go out and die;
 And consequently this is done
 As shadows wait upon the sun.
 Vain ambition of kings
 Who seek by trophies and dead things
 To leave a living name behind,
 And weave but nets to catch the wind.
-- John Webster
Neville Clemens's submission ("Dilemma", by David Budbill, Poem #1753)
reminded me of this poem. There's probably a reason for Longfellow's "And,
departing, leave behind us / footprints on the sands of time;".  First the
footsteps, and then, though not always, the footprints. Until the sands
shift once again.

Webster's poem was published in "The Devil's Law Case" circa 1610. More on
Webster at

http://www.luminarium.org/sevenlit/webster/

Rajeev

[Martin adds]

The theme must have been a popular one at the time - I'm struck by the
similarities to Shirley's "Death the Leveller". Shirley was a contemporary
of Webster's, but I'm not sure which poem came first.

Dilemma -- David Budbill

Guest poem submitted by Neville Clemens :
(Poem #1752) Dilemma
 I want to be
         famous
 so I can be
         humble
 about being
         famous.

 What good is my
         humility
 when I am
         stuck
 in this
         obscurity?
-- David Budbill
A friend of mine sent me this impish poem which she came across in  an
anthology titled "Good Poems", edited by Garrison Keillor - a collection of
American poems. For that, I am grateful to her.

Nothing to be said about this poem. Just read it, enjoy it and find yourself
grinning your sheepish, guilty grin :-).

The poet's website can be found at http://www.davidbudbill.com , with a link
to his biography.

Neville.

Diatribe Against the Dead -- Angel Gonzalez

Guest poem sent in by Mack Freeman
(Poem #1751) Diatribe Against the Dead
 The dead are selfish:
 they make us cry and don't care,
 they stay quiet in the most inconvenient places,
 they refuse to walk, we have to carry them
 on our backs to the tomb
 as if they were children.  What a burden!
 Unusually rigid, their faces
 accuse us of something, or warn us;
 they are the bad conscience, the bad example,
 they are the worst things in our lives always, always.
 The bad thing about the dead
 is that there is no way you can kill them.
 Their constant destructive labor
 is for the reason incalculable.
 Insensitive, distant, obstinate, cold,
 with their insolence and their silence
 they don't realize what they undo.
-- Angel Gonzalez
Translated from the Spanish by Steven Ford Brown and Gutierrez Revuelta

I don't have much in the way of critical analysis for this piece, but it
reminds me of my high school theatre teacher who told everyone one day that
one of the most cathartic things you could do when dealing with death or
with the prospect of your own death was to plan your own funeral and to get
everything out of the way and to get closure with the situation.  I'm
sitting here now, a few days before I'm about to move and start a major life
change...and I'm just starting to realize all of the huge changes that go
around all of us in each day.  One of my aunt's is pregnant with what may be
a Down's Syndrome baby...but it's the daughter they've always wanted.
Another aunt is so sick it doesn't look like she'll make it through the
weekend...

This poem brings the idea that all of the sorrow over death is with the
living...all the anger, hate, fear, sorrow...emotion in general, is left
with the living because the dead have moved on.  It reminds me that a death
(and almost any life change) can destroy the people affected by it...that
some people can't pick up the pieces (immediately or sometimes at all) and
move on.  They get angry or they get destroyed.

Wow...that was really rambly, but maybe some of it made sense.  I just
discovered this poet in an anthology I was reading the other day and I was
just struck by his overall style and this piece in particular.

Mack F.

[Biographical Data]

Born in Oviedo in 1925, Angel Gonzalez yong life was stricken by the Spanish
Civil War with one of his brothers being exiled and another being
assassinated.  Eventually he became a lawyer and worked for the Civil
Administration in Madrid.  His first book of poems appeared in 1956 which
was positively received.  Awards he has received include the Premio Antonio
Machado in 1956 and the Premio Principe de Asturis de las Letras in 1985.
His main topics include mortality, love, and civil observance.

On Giving -- Kahlil Gibran

Guest poem sent in by Neville Clemens
(Poem #1750) On Giving
 There are those who give little of the much which they have - and they
 give it for recognition and their hidden desire makes their gifts
 unwholesome.

 And there are those who have little and give it all.

 These are the believers in life and the bounty of life, and their
 coffer is never empty.

 There are those who give with joy, and that joy is their reward.

 And there are those who give with pain, and that pain is their baptism.

 And there are those who give and know not pain in giving, nor do they
 seek joy, nor give with mindfulness of virtue;

 They give as in yonder valley the myrtle breathes its fragrance into space.

 Through the hands of such as these God speaks, and from behind their
 eyes He smiles upon the earth.
-- Kahlil Gibran
I came across this excerpt form Gibran's 'The Prophet' when I was about 13,
courtesy of my father who had it put up on our living room wall. I loved it
then, and as the years have gone by I've grown to love it even more as I
begin to be more aware of and experience the interplay of emotions involved
in simple acts of my life. Gibran forces us to take a harder look at Giving,
forces us to look past fruitive motives for our actions, at a place where
there exists such a thing as a Selfless Deed, stripped clean of ANY reaction
- pure, simple and childlike to grasp....and yet something we struggle with.

"They give as in yonder valley the myrtle breathes its fragrance into space."

THAT, to me, is the clinching line of the poem; the line that holds it all
together and gently pours the poet's wisdom over the reader.

Notes:

1. This is part of a larger passage on Giving in 'The Prophet', but this is
the portion that I came across as a child. Since it seems to me to be a
plenary excerpt and since I am biased towards shorter poems I'd like to
submit just this passage. The entire passage can be read here:

   http://www.katsandogz.com/ongiving.html

2. The poet's first name is spelt as Khalil as well as Kahlil. However, the
former spelling does more justice to the pronunciation. The first syllable
is a 'kha', pronounced thickly from the throat - as anyone familiar with
Urdu or Arabic would know. The 'G' in the last name is pronounced as in
Germany. The source of this is a Lebanese friend of mine (Gibran was
Lebanese, so I assume he was right!). I'm only adding this because for
years I'd always mumble his name in conversations to avoid being caught with
a mispronunciation :-). To sum up : kha-leel jib-raan

3. An extensive biography of this Lebanese poet and artist (a la Blake) is
available at:

   [broken link] http://www.kahlil.org/bio.html

Neville

The Dynasts -- Thomas Hardy

Guest poem submitted by Frank O'Shea, an excerpt
from:
(Poem #1749) The Dynasts
 Yea, the coneys are scared by the thud of hoofs,
 And their white scuts flash at their vanishing heels,
 And swallows abandon the hamlet-roofs.

 The mole's tunnelled chambers are crushed by wheels,
 The lark's eggs scattered, their owners fled;
 And the hedgehog's household the sapper unseals.

 The snail draws in at the terrible tread,
 But in vain; he is crushed by the felloe-rim
 The worm asks what can be overhead,

 And wriggles deep from a scene so grim,
 And guesses him safe; for he does not know
 What a foul red flood will be soaking him!

 Beaten about by the heel and toe
 Are butterflies, sick of the day's long rheum,
 To die of a worse than the weather-foe.

 Trodden and bruised to a miry tomb
 Are ears that have greened but will never be gold,
 And flowers in the bud that will never bloom.
-- Thomas Hardy
Friday's poem ["The Grass", by Carl Sandburg, Poem #1748 -- ed.] reminded me
of some lines from Thomas Hardy's long verse drama "The Dynasts." As with
Sandburg, he is concerned with the effects of the forthcoming Battle of
Waterloo on the flora and fauna.

It would be nice if I could boast how clever I am to be reading such ancient
and esoteric verse. The truth is that it is one of the Hardy poems used by
Alan Bennett in his wonderful CD "Poetry in Motion" (www.bbcshop.com). The
full text of the Hardy document can be found at
http://www.gutenberg.org/dirs/etext03/dynst10.txt

You have sufficient Hardy poems on your site not to need biography. But
least I looked up the meaning of some of the unusual words:
    coney (or cony): a rabbit
    scut: tail
    felloe: the outer part of a wheel to which spokes are attached.

FOS.