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Spring is like a perhaps hand -- e e cummings

Guest poem sent in by Michael Andrews
(Poem #1947) Spring is like a perhaps hand
 Spring is like a perhaps hand
 (which comes carefully
 out of Nowhere)arranging
 a window,into which people look(while
 people stare
 arranging and changing placing
 carefully there a strange
 thing and a known thing here)and

 changing everything carefully

 spring is like a perhaps
 Hand in a window
 (carefully to
 and from moving New and
 Old things,while
 people stare carefully
 moving a perhaps
 fraction of flower here placing
 an inch of air there)and

 without breaking anything.
-- e e cummings
We have this neighbor who loves to garden.  Her whole front yard is planted
with bulbs and other herbaceous perennials but, for the most part, the plot
is brown in winter.  But starting in late February, as I drive past her
house, I see her stooped over the earth from time to time.

This E. E. Cummings poem so reminds me of what takes place in her garden plot
as I drive by her house each day when I leave the development.  These are
delicate changes in her little plot, none dramatic, but a plant is up one
day, flowering the next without any dramatic fanfare; a bed is barren one
day but covered with small green shoots the next.  The neighbor's hand,
arranging and rearrranging the plants for the year, in small increments,
mostly unseen (she works out of her home, is not in the garden most times I
pass, but leaves evidence of her work - a peach basket here, gardening stool
there, a pile of weeds... gone the next day) is captured precisely in this
poem.

She moves new things and old in and out of garden spots.  Not all at once,
but you notice slight movements in plant blooming.  Changes are slight but
quick.  "How did that clump get there?" I ask one day.  The clump is in
blossom the next!

'a fraction of flower here placing an inch of air there) and without
breaking anything.'

Cummings captures the joy of incremental, but inexorable growth that happens
each Spring in this small poem.  I like to think my neighbor Ruth is
Spring's hand in the window...

Enjoy!

Mike Andrews

I Fear Thy Kisses, Gentle Maiden -- Percy Bysshe Shelley

Guest poem sent in by Anagha Bhat
(Poem #1946) I Fear Thy Kisses, Gentle Maiden
 I fear thy kisses, gentle maiden;
 Thou needest not fear mine;
 My spirit is too deeply laden
 Ever to burden thine.

 I fear thy mien, thy tone, thy motion;
 Thou needest not fear mine;
 Innocent is the heart's devotion
 With which I worship thine.
-- Percy Bysshe Shelley
Today, I came to ministrels looking for one of my favourit-est-est poems
ever, and was shocked to not find it there. Had to dig out my paperback
book... in this day and age... *sigh*

The reason I love this poem is that I love the knight-in-shining-armour
spirit of the poet. A perfect gentleman, and every woman's dream man! That's
on the surface... Lemme not go deeper!

Anagha

[Links]

Biography:
  http://en.wikipedia.org/wiki/Percy_Bysshe_Shelley

Simplify Me When I'm Dead -- Keith Douglas

Guest poem sent in by Swati Chaudhary
(Poem #1945) Simplify Me When I'm Dead
 Remember me when I am dead
 Simplify me when I am dead.

 As the process of earth
 strip off the colour and the skin
 take the brown hair and the blue eye

 and leave me simpler than at birth,
 when hairless I came howling in
 as the moon came in the cold sky.

 Of my skeleton perhaps
 so stripped, a learned man may say
 "He was of such a type and intelligence," no more.

 Thus when in a year collapse
 particular memories, you may
 deduce from the long pain I bore

 the opinion I held, who was my foe
 and what I left, even my appearance
 but incidents will be no guide.

 Time's wrong way telescope will show
 a minute man the years hence
 and by distance simplified.

 Through the lens see if I seem
 substance or nothing: of the world
 deserving mention or charitable oblivion

 not by momentary spleen
 or love into decision hurled
 leisurely arrive at an opinion.

 Remember me when I am dead
 and simplify me when I am dead.
-- Keith Douglas
Here's a poem that I first read in high school and which spurred my
consequent obsession with poetry. The reason I really like Keith Douglas is
because of his rawness of emotion. It is almost as if his poems document the
very moment when a truth must have become evident to him. It is possible
that this is so because all we have are his early works -- lacking the
maturity or perhaps, the practice that comes with age, due to his untimely
death.

best
swati chaudhary

[Links]

Biography:
  http://en.wikipedia.org/wiki/Keith_Douglas

Call Me by My True Names -- Thich Nhat Hanh

Guest poem sent in by Rachael Shaw
(Poem #1944) Call Me by My True Names
 Do not say that I'll depart tomorrow
 because even today I still arrive.

 Look deeply: I arrive in every second
 to be a bud on a spring branch,
 to be a tiny bird, with wings still fragile,
 learning to sing in my new nest,
 to be a caterpillar in the heart of a flower,
 to be a jewel hiding itself in a stone.

 I still arrive, in order to laugh and to cry,
 in order to fear and to hope.
 The rhythm of my heart is the birth and
 death of all that are alive.

 I am the mayfly metamorphosing on the surface of the river,
 and I am the bird which, when spring comes, arrives in time
 to eat the mayfly.

 I am the frog swimming happily in the clear pond,
 and I am also the grass-snake who, approaching in silence,
 feeds itself on the frog.

 I am the child in Uganda, all skin and bones,
 my legs as thin as bamboo sticks,
 and I am the arms merchant, selling deadly weapons to Uganda.

 I am the twelve-year-old girl, refugee on a small boat,
 who throws herself into the ocean after being raped by a sea pirate,
 and I am the pirate, my heart not yet capable of seeing and loving.

 I am a member of the politburo, with plenty of power in my hands,
 and I am the man who has to pay his "debt of blood" to, my people,
 dying slowly in a forced labor camp.

 My joy is like spring, so warm it makes flowers bloom in all walks of life.
 My pain if like a river of tears, so full it fills the four oceans.

 Please call me by my true names,
 so I can hear all my cries and laughs at once,
 so I can see that my joy and pain are one.

 Please call me by my true names,
 so I can wake up,
 and so the door of my heart can be left open,
 the door of compassion.
-- Thich Nhat Hanh
Thich Nhat Hanh is a Vietnamese Buddhist Monk. His lifelong efforts to generate
peace moved Martin Luther King, Jr. to nominate him for the Nobel Peace Prize
in 1967. He is the author of over 75 books.

This poem was sent to me by a friend recently when I was becoming frustrated
with someone's judgmental approach to a client of mine that was due to be
executed. Hanh's poem is essentially about understanding. It is about not
judging one for their crime but rather seeing what got them to that point.
Working with prisoners on death row, one learns that the prisoners come from
neglect, abuse and poverty. Hanh explains that if raised under these
circumstances, one may end up like this also.

I interpret this poem as encouraging the practice of deep empathy for those we
have trouble understanding. Hahn is urging us to treat everyone kindly and look
at all living beings with eyes of compassion.

Rachael Shaw

[Links]
  Information on Thich Nhat Hanh
    http://www.seaox.com/thich.html

  Publisher of Thich Nhat Hanh books
    http://www.parallax.org/

Dead Man's Chest -- Robert Louis Stevenson

       
(Poem #1943) Dead Man's Chest
 Fifteen men on the dead man's chest--
   Yo-ho-ho, and a bottle of rum!
 Drink and the devil had done for the rest--
   Yo-ho-ho, and a bottle of rum!
-- Robert Louis Stevenson
Given that "poetry included in works of fiction" is a genre that both Thomas
and I rate very highly, it is surprising that this little scrap of verse has
not been run before. Written as part of Stevenson's classic (and brilliant -
if you haven't read it yet, do so!) "Treasure Island", it has become the
canonical pirate song, with a fame and popularity that almost eclipses that
of the book itself.

Wikipedia has a bit of research on the song that is worth quoting in full:

  In the novel Treasure Island, the full song is not reported. The chorus
  is given in full.

  The book records only one other phrase from the song, near its end:
  "But one man of her crew alive, What put to sea with seventy-five."

  According to research done by Skip Henderson there is an actual
  "legend" behind the song. The legend, which was possibly devised by
  Stevenson himself, says that the rhyme tells the tale of a time when
  Edward Teach, also known as Blackbeard, marooned a shipload of
  mutineers on Dead Man's Chest Island, a barren rock in Deadman's Bay
  on Peter Island near Tortola. The island has high cliffs, no trees,
  sparse vegetation and no fresh water. The men were equipped with only
  a single cutlass and a bottle of rum each. The intent was, one would
  assume, that the men would either starve or kill each other in a
  drunken brawl. A month later Teach returned to find that despite the
  blazing Caribbean sun and lack of supplies, fifteen men had survived.
  The shanty tells in part what became of the rest.

The richness and attention to detail involved in constructing an entire
iceberg to push four lines of verse to the surface are reminiscent of
Tolkien, and they give the song a similar appeal, making it both an
integral and organic part of the book and an excellent piece of verse in
its own right.

martin

[Links]

The complete text of Treasure Island:
  http://www.literatureproject.com/treasure-island/

Wikipedia entry:
  http://en.wikipedia.org/wiki/Dead_Man's_Chest

An expansion of Stevenson's fragment:
  http://oldpoetry.com/opoem/45732-Young-Ewing-Allison-Derelict