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The List of Most Difficult Words -- Len Roberts

Guest poem submitted by Ajit Narayanan:

Monday's poem ('My Father's Love Letters') reminded me, in spirit and
in content, of this one:
(Poem #1291) The List of Most Difficult Words
 I was still standing although
 Gabriella Wells and Barbara Ryan were too,
 their bodies dark against the wall of light
 that dull-pewter December afternoon,
 shadows with words that flowed
 so easily from their mouths,
 fluorescent and grievous,
 pied and effervescent,
 words I'd spelled out to the rhythm
 of my father's hoarse whispers
 during our nightly practice sessions
 beneath the dim bulb,
 superfluous, excelsior,
 desultory and exaggeration
 mixed with his Schaefer breath
 and Lucky Strike smoke

 as I went down
 The List of Most Difficult Words
 with a man whose wife had left,
 one son grown into madness,
 the other into death,
 my father's hundred and five-pound skeleton
 of skin glowing in that beer-flooded kitchen
 when he'd lift the harmonica

 to blow a few long, sad riffs
 of country into a song
 while he waited for me to hit
 the single l of spiraling,
 the silent i of receipt,
 the two of us working words hard
 those nights on Olmstead Street,
 sure they would someday save me.
-- Len Roberts
Like a lot of beautiful poems, it's difficult to pinpoint _where_
exactly the beauty of Roberts' poem lies. Perhaps it's the sudden shift
from one image to another, but nonetheless conveying, with great
expressiveness, the relationship between a father and his son. His
choice of difficult words isn't too bad either!

Roberts is a fairly established poet, having published seven books of
poetry and having won several awards. Several of his poems can be found
here:
        http://www.worldpoetry.com/poets/roberts.len.html

LEN ROBERTS, a professor of English at Northampton Community College,
Bethlehem, Pennsylvania, has published seven collections of poetry. One
of them, Black Wings, was selected for the National Poetry Series in
1989. His work has appeared in many journals, including The American
Poetry Review, The Hudson Review, and Poetry.
        -- [broken link] http://www.press.uillinois.edu/s98/roberts.html

My Father's Love Letters -- Yusef Komunyakaa

Guest poem sent in by Sashidhar Dandamudi
(Poem #1290) My Father's Love Letters
 On Fridays he'd open a can of Jax
 After coming home from the mill,
 & ask me to write a letter to my mother
 Who sent postcards of desert flowers
 Taller than men. He would beg,
 Promising to never beat her
 Again. Somehow I was happy
 She had gone, & sometimes wanted
 To slip in a reminder, how Mary Lou
 Williams' "Polka Dots & Moonbeams"
 Never made the swelling go down.
 His carpenter's apron always bulged
 With old nails, a claw hammer
 Looped at his side & extension cords
 Coiled around his feet.
 Words rolled from under the pressure
 Of my ballpoint: Love,
 Baby, Honey, Please.
 We sat in the quiet brutality
 Of voltage meters & pipe threaders,
 Lost between sentences . . .
 The gleam of a five-pound wedge
 On the concrete floor
 Pulled a sunset
 Through the doorway of his toolshed.
 I wondered if she laughed
 & held them over a gas burner.
 My father could only sign
 His name, but he'd look at blueprints
 & say how many bricks
 Formed each wall. This man,
 Who stole roses & hyacinth
 For his yard, would stand there
 With eyes closed & fists balled,
 Laboring over a simple word, almost
 Redeemed by what he tried to say.
-- Yusef Komunyakaa
Notes:

[1] The recent poem submitted by Jasmina (Poem #1288: Amanda Townsend),
made me remember this poem which I had read a few weeks ago in Komunyaaka's
Pulitzer Prize winning collection "Neon Vernacular". It deals with the same
pieces of conflict and agreement between men and women.

[2] The whole poem seems to be structured in a very beautiful way around
brutality (beat her, claw hammer, pressure of my ballpoint pen, five pound
wedge, concrete floor) and tenderness (desert flowers, Polka Dots and
Moonbeams, sunset, roses & hyacinth) to reflect how the narrator is
similarly caught between the same kind of feeling towards his father. Can't
do anything better than that!

[3] I was also suprised that Komunyakaa was missing from the Minstrels
pantheon! I think he is a great poet, who has written some powerful poetry,
the notable being of his experiences as a black journalist serving in
Vietnam War. So I belive we might consider adding this missing link.

joy!
Sashi

[Bio] [broken link] http://www.ibiblio.org/ipa/komunyakaa/bio.html
[Other Poems] http://www.ibiblio.org/ipa/komunyakaa/

The Lie -- Sir Walter Raleigh

       
(Poem #1289) The Lie
 Go, Soul, the body's guest,
   Upon a thankless errand:
 Fear not to touch the best;
   The truth shall be thy warrant:
 Go, since I needs must die,
 And give the world the lie.

 Say to the court, it glows
   And shines like rotten wood;
 Say to the church, it shows
   What's good, and doth no good:
 If church and court reply,
 Then give them both the lie.

 Tell potentates, they live
   Acting by others' action;
 Not loved unless they give,
   Not strong, but by a faction:
 If potentates reply,
 Give potentates the lie.

 Tell men of high condition,
   That manage the estate,
 Their purpose is ambition,
   Their practice only hate:
 And if they once reply,
 Then give them all the lie.

 Tell them that brave it most,
   They beg for more by spending,
 Who, in their greatest cost,
   Seek nothing but commending:
 And if they make reply,
 Then give them all the lie.

 Tell zeal it wants devotion;
   Tell love it is but lust;
 Tell time it is but motion;
   Tell flesh it is but dust:
 And wish them not reply,
 For thou must give the lie.

 Tell age it daily wasteth;
   Tell honour how it alters;
 Tell beauty how she blasteth;
   Tell favour how it falters:
 And as they shall reply,
 Give every one the lie.

 Tell wit how much it wrangles
   In tickle points of niceness;
 Tell wisdom she entangles
   Herself in over-wiseness:
 And when they do reply,
 Straight give them both the lie.

 Tell physic of her boldness;
   Tell skill it is pretension;
 Tell charity of coldness;
   Tell law it is contention:
 And as they do reply,
 So give them still the lie.

 Tell fortune of her blindness;
   Tell nature of decay;
 Tell friendship of unkindness;
   Tell justice of delay;
 And if they will reply,
 Then give them all the lie.

 Tell arts they have no soundness,
   But vary by esteeming;
 Tell schools they want profoundness,
   And stand too much on seeming:
 If arts and schools reply,
 Give arts and schools the lie.

 Tell faith it's fled the city;
   Tell how the country erreth;
 Tell, manhood shakes off pity;
   Tell, virtue least preferreth:
 And if they do reply,
 Spare not to give the lie.

 So when thou hast, as I
   Commanded thee, done blabbing --
 Although to give the lie
   Deserves no less than stabbing --
 Stab at thee he that will,
 No stab the soul can kill.
-- Sir Walter Raleigh
Today's poem makes an interesting companion piece to Chidiock
Tichborne's elegy "My prime of youth is but a frost of cares" (Minstrels
Poem #144). Both poems were written in the Tower of London, while their
authors awaited execution. But whereas Tichborne's earlier piece is
suffused with an air of 'what might have been', Raleigh's offering is
all bitter defiance. This is the outpouring of a man who, more than
most, knew the ups and downs of Fortune, from favoured courtier to
condemned prisoner. And it shows; there's an edge to his satire --
especially in the attacks on court, church, potentates and men of high
estate -- that's noteworthy given his reputation as dashing gallant.

t.

[Biography]

Raleigh, Sir Walter (1552?-1618) English explorer, courtier, poet, and
prose writer. One of the favorites of Queen Elizabeth between 1581 and
1592, Raleigh helped his friend Edmund Spenser arrange for the
publication of the first three books of The Faerie Queene; also during
this period he sent several expeditions to North America, though the
Queen would not allow him to make the voyages himself. He fell from
Elizabeth's favor in 1592, according to legend, because of his seduction
of one of her maids of honor. He took advantage of being in the Queen's
bad graces by making in 1595 an expeditionary voyage to South America,
which he described in the colorful (and fanciful) Discovery of Guiana.
He was reinstated at court during the last years of Elizabeth's reign,
but at the accession of James I he was imprisoned on a flimsy charge of
treason. He narrowly escaped execution, and was detained in the Tower
(though in reasonable comfort) for the next thirteen years. In 1616 he
was released on the promise to James I to discover gold in South
America, providing that he neither intruded on Spanish possessions nor
pirated Spanish ships, Unfortunately, Raleigh attacked a Spanish
settlement, and on his return to England was condemned and executed. A
true courtier poet, Raleigh did not publish his poetry but had it
circulated in manuscript. As a result, only a few of his poems have come
down to the present day, "Cynthia," a long poem in honor of the Queen,
was highly praised by Spenser, but only a fragment has survived. Among
his best-known poems are "The Nymph's Reply to the Shepherd," an answer
to Christopher Marlowe's "Passionate Shepherd"; "The Lie"; "The
Passionate Man's Pilgrimage"; and the sonnet beginning "Methought I saw
the grave where Laura lay," prefixed to Spenser's Faerie Queene. In
addition to a prose History of the World (of which only one volume was
completed), Raleigh wrote a narrative of the sea baffle between the
Revenge and a Spanish warship in which his cousin, Sir Richard
Grenville, was killed; Tennyson's ballad "The Revenge" is largely based
on Raleigh's account. The legend of the courteous Sir Walter spreading
his cloak over a puddle that the Queen might cross dry-shod is mentioned
by Sir Walter Scott in Kenilworth.

        -- [broken link] http://www.ks.ac.kr/~ycsuh/courses/engsurvey/ ...
... engsurveyindex/biography/16century/biowraleigh.htm

More biographies can be found here:
http://www.luminarium.org/renlit/ralegadd.htm

Let's be discreet -- Amanda Townsend

Guest poem sent in by Jasmina Ravnjak
(Poem #1288) Let's be discreet
 Tell me
 That your eyes do not search for me
 In a crowd
 And I shall say to you
 That my heart does not miss a beat
 When I see you
 And that nature's fertile flow
 Does not bathe
 The most delicate
 And intimate essence of my femininity
 Tell me
 That I have not felt
 The pressure of your body against mine
 And that I was not shocked
 Or excited
 By the power of your masculinity
 Tell me that you cannot cure the ache
 Which lingers between my thighs
 And my body will deny that I desire you
-- Amanda Townsend
I found this poem in a collection of African – American erotic writings ("Dark
Eros", St. Martin's Press, Inc., December 1998, edited by Reginald Martin).

Simple, yet it provokes complex feelings – it is at the same time melancholic
and spiritually sensual.

Unfortunately, I could not find any information about Amanda Townsend. I also
do not know whether the original is English or French[1], or both?

Many Regards,

Jasmina

[1] The English version was printed on one page, followed by the French version
on the next page (you had to turn the page and it was on the back of the
initial page). The French version had "French Translation" in between the title
and Amanda Townsend's name, which makes me think that she translated it
herself.

The French translation:

'Soyons Discrets'

 Dis-moi
 Que tes yeux ne me cherchent pas
 Dans une foule
 Et je te dirai
 Que mon coeur ne s'arrete pas de battre
 Quand je te vois
 Et que l'ecoulement fertil de la nature
 Ne baigne pas
 L'essence la plus intime
 Et la plus delicate
 De ma feminité
 Dis-moi que
 Je n'ai pas senti
 La pression de ton corps contre le mien
 Et que je n'etais pas choquée
 Ni excitée
 Par la force de ta masculinité
 Dis-moi que tu ne peux pas querir
 La douleur intime qui me ronge
 Et mon corps niera
 Que je te desire

A Fable -- J H Frere

       
(Poem #1287) A Fable
 (In imitation of Dryden)

 A dingy donkey, formal and unchanged,
 Browsed in the lane and o'er the common ranged.
 Proud of his ancient asinine possessions,
 Free from the panniers of the grave professions,
 He lived at ease; and chancing once to find
 A lion's skin, the fancy took his mind
 To personate the monarch of the wood;
 And for a time the stratagem held good.
 He moved with so majestical a pace
 That bears and wolves and all the savage race
 Gazed in admiring awe, ranging aloof,
 Not over-anxious for a clearer proof --
 Longer he might have triumph'd -- but alas!
 In an unguarded hour it came to pass
 He bray'd aloud; and show'd himself an ass!

 The moral of this tale I could not guess
 Till Mr Landor sent his works to press.
-- J H Frere
The Horace quote from Monday's poem [1] was still fresh in my mind when
I came across this gem of a putdown in the Faber Book of Comic Verse.
Nothing much more to say, really.

thomas.

[1] The poem was "Etiquette", by W. S. Gilbert, and the quote was
"parturiunt montes, nascetur ridiculus mus": "the mountains are in
labour; a ridiculous mouse will be born".

[Notes]

Today's fable dates back to Aesop:
http://www.literature.org/authors/aesop/fables/chapter-245.html

J. H. Frere was a diplomat who lived from 1769 to 1848. More:
http://eir.library.utoronto.ca/rpo/display/poet128.html

Mr Landor, of course, is Walter Savage Landor. Britannica says "Landor
spent a lifetime quarreling with his father, neighbours, wife, and any
authorities at hand who offended him. Paradoxically, though, he won the
friendship of literary men from Robert Southey, Samuel Taylor Coleridge,
and Charles Lamb among the Romantics to Charles Dickens and Robert
Browning". One can assume that Mr Frere fell in the former category.

The irrepressible Dorothy Parker had this to say about Mr L:
  Upon the work of Walter Landor
  I am unfit to write with candor.
  If you can read it, well and good;
  But as for me, I never could.
          -- Dorothy Parker

And yes, he features on the Minstrels: Poem #10.