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Showing posts with label Poet: Edwin Muir. Show all posts
Showing posts with label Poet: Edwin Muir. Show all posts

The Horses -- Edwin Muir

Guest poem sent in by Simon Pereira Shorey
(Poem #1378) The Horses
 Barely a twelvemonth after
 The seven days war that put the world to sleep,
 Late in the evening the strange horses came.
 By then we had made our covenant with silence,
 But in the first few days it was so still
 We listened to our breathing and were afraid.
 On the second day
 The radios failed; we turned the knobs, no answer.
 On the third day a warship passed us, headed north,
 Dead bodies piled on the deck. On the sixth day
 A plane plunged over us into the sea. Thereafter
 Nothing. The radios dumb;
 And still they stand in corners of our kitchens,
 And stand, perhaps, turned on, in a million rooms
 All over the world. But now if they should speak,
 If on a sudden they should speak again,
 If on the stroke of noon a voice should speak,
 We would not listen, we would not let it bring
 That old bad world that swallowed its children quick
 At one great gulp. We would not have it again.
 Sometimes we think of the nations lying asleep,
 Curled blindly in impenetrable sorrow,
 And then the thought confounds us with its strangeness.
 The tractors lie about our fields; at evening
 They look like dank sea-monsters crouched and waiting.
 We leave them where they are and let them rust:
 "They'll molder away and be like other loam."
 We make our oxen drag our rusty plows,
 Long laid aside. We have gone back
 Far past our fathers' land.
 And then, that evening
 Late in the summer the strange horses came.
 We heard a distant tapping on the road,
 A deepening drumming; it stopped, went on again
 And at the corner changed to hollow thunder.
 We saw the heads
 Like a wild wave charging and were afraid.
 We had sold our horses in our fathers' time
 To buy new tractors. Now they were strange to us
 As fabulous steeds set on an ancient shield
 Or illustrations in a book of knights.
 We did not dare go near them. Yet they waited,
 Stubborn and shy, as if they had been sent
 By an old command to find our whereabouts
 And that long-lost archaic companionship.
 In the first moment we had never a thought
 That they were creatures to be owned and used.
 Among them were some half a dozen colts
 Dropped in some wilderness of the broken world,
 Yet new as if they had come from their own Eden.
 Since then they have pulled our plows and borne our loads,
 But that free servitude still can pierce our hearts.
 Our life is changed; their coming our beginning.
-- Edwin Muir
           (1887-1959)

A deeply moving poem, I first came across it in the English countryside in
the 1970's when the Cold War was at it's height and the idea of a nuclear
exchange initiating an apocalypse was not too far away.

Now living in Manhattan through September 11th, the idea of a biological
warfare catastrophe seems no longer confined to the pages of science fiction
novels.

The contrast between the purity of the horses and the corruption of
mechanized 'civilization' has a strong elegiac quality.

Simon Pereira Shorey

Biography: See Poem #1233

Ballad of Hector in Hades -- Edwin Muir

Guest poem sent in by Russell Y. Webb
(Poem #1233) Ballad of Hector in Hades
 Yes, this is where I stood that day,
      Beside this sunny mound.
 The walls of Troy are far away,
      And outward comes no sound.

 I wait. On all the empty plain
      A burnished stillness lies,
 Save for the chariot's tinkling hum,
      And a few distant cries.

 His helmet glitters near. The world
      Slowly turns around,
 With some new sleight compels my feet
      From the fighting ground.

 I run. If I turn back again
      The earth must turn with me,
 The mountains planted on the plain,
      The sky clamped to the sea.

 The grasses puff a little dust
      Where my footsteps fall.
 I cast a shadow as I pass
      The little wayside wall.

 The strip of grass on either hand
      Sparkles in the light;
 I only see that little space
      To the left and to the right,

 And in that space our shadows run,
      His shadow there and mine,
 The little flowers, the tiny mounds,
      The grasses frail and fine.

 But narrower still and narrower!
      My course is shrunk and small,
 Yet vast as in a deadly dream,
      And faint the Trojan wall.
 The sun up in the towering sky
      Turns like a spinning ball.

 The sky with all its clustered eyes
      Grows still with watching me,
 The flowers, the mounds, the flaunting weeds
      Wheel slowly round to see.

 Two shadows racing on the grass,
      Silent and so near,
 Until his shadow falls on mine.
      And I am rid of fear.

 The race is ended. Far away
      I hang and do not care,
 While round bright Troy Achilles whirls
      A corpse with streaming hair.
-- Edwin Muir
           from First Poems (1925)

What I admire most about this poem is it's consistent voice and
construction of tension in conflict. The voice is distant and mythical
while still being personal. The poem's conclusion is so indirectly
stated that its meaning is felt only on reflection making it more
powerful and horrifying.

I read somewhere that this poem was in part Muir's reflection of being
bullied in the school yard as a child.

Russ

Links:

  Biography of Muir:
    http://www.users.globalnet.co.uk/~crumey/edwin_muir.html
    http://www.tiscali.co.uk/reference/encyclopaedia/hutchinson/m0039469.html

  And Russ's reference to Muir's being bullied in the schoolyard recalled
  Benet's "The General Public", Poem #983