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Showing posts with label Submitted by: Arun Simha. Show all posts
Showing posts with label Submitted by: Arun Simha. Show all posts

A Woman Well Set Free! How Free I Am -- Sumangalamata

Guest poem sent in by Arun Simha

This is an interesting poem from the 6th century BC. It was
written in Pali, an ancient Indian language.
(Poem #1265) A Woman Well Set Free! How Free I Am
 A woman well set free! How free I am,
 How wonderfully free, from kitchen drudgery.
 Free from the harsh grip of hunger,
 And from empty cooking pots,
 Free too of that unscrupulous man,
 The weaver of sunshades.
 Calm now, and serene I am,
 All lust and hatred purged.
 To the shade of the spreading trees I go
 And contemplate my happiness.
-- Sumangalamata
            (Pali - 6th Century (600) B.C
             Translated by Uma Chakravarti and Kumkum Roy)

The poem is from "Women Writing In India" edited by Susie Tharu and K.
Lalita. It was published in by The Feminist Press, City Univ of New
York, New York (1991). Susie Tharu teaches in the Dept of English
Literature at the Central Inst. of Eng. and Foreign Languages in
Hyderabad, K. Lalitha is a political scientist and co-ordinator of
Anveshi, Centre for Women's Studies, Hyderabad.

My first impression upon reading this poem was the timelessness of its
theme. The imagery created by the poet is striking. The seamless
movement from the bondage of the interior (kitchen) to the comfort of
the exterior (garden) is mere explanation for the loud proclamation
that precedes it.

You can almost hear the sigh of relief - nay - joy, of the woman who,
having spent the previous few hours satisying others needs, now goes
out to seek her own. And she does it in solitude. The poet seems to
suggest spiritual contemplation as the culmination of a day's
drudgery.

Or does she really suggest that?

What else could she have endevaoured to do after her cooking was done?
Could she have hoped to have a  meaningful role in society which was
disassociated from the kitchen and with religion? Was this the only
freedom that she could hope to achieve?

A Marathi poem by Janabai (from the same book) written a few centuries
later, may provide some answers to those questions. Here too the woman
casts off her "place in society" to achieve religious ecstasy and
therefore, freedom.

     Janabai (1298-1350), Marathi

    "Cast off All Shame"

    Cast off all shame,
    and sell yourself
    in the marketplace;
    then alone
    can you hope
    to reach the Lord.

    Cymbals in hand,
    a *veena* upon my shoulder,
    I go about;
    who dares to stop me?

    The *pallav* of my sari
    falls away (A Scandal!);
    yet will I enter
    the crowded marketplace
    without a thought.

    Jani says, My Lord,
    I have become a slut
    to reach Your home.

     -- Janabai
   (Translated by Vilas Sarang)

Arun Simha

Big Yellow Taxi -- Joni Mitchell

Guest poem submitted by Arun Simha:
(Poem #1005) Big Yellow Taxi
 They paved paradise
 And put up a parking lot
 With a pink hotel, a boutique
 And a swinging hot spot

       [Chorus]

   Don't it always seem to go
   That you don't know what you've got
   Till it's gone
   They paved paradise
   And put up a parking lot

 They took all the trees
 Put 'em in a tree museum
 And they charged the people
 A dollar and a half just to see 'em

       [Chorus]

 Hey farmer farmer
 Put away that DDT now
 Give me spots on my apples
 But leave me the birds and the bees
 Please!

       [Chorus]

 Late last night
 I heard the screen door slam
 And a big yellow taxi
 Took away my old man

       [Chorus etc.]
-- Joni Mitchell
Legendary songwriter/singer, Joni Mitchell wrote the lyrics of this song in
the late 60s. It is popularly believed that the 'paradise' mentioned in this
song refers to Hawaii.

I can quite relate to the angst felt by the poet, for I had the very same
experience recently. I live in Sunnyvale, CA, which is a part of the area
known as Silicon Valley. Three decades ago, Sunnyvale had an idyllic farming
community. I have heard long time residents of California state that they
used to travel to Sunnyvale to buy fruits from its famous orchards.

When I came here in the early 90's from India, it still had a few remnants
of those famous orchards. Alas, the last one has had its curtain call.
Olson's cherry farm which is right at the intersection between El Camino
Real and Mathilda, had been laid to rest after a glorious innings lasting
103 years. A few months ago, the farm seemed like an incongrous oasis
hanging on to life by a thread amidst the mighty gale of industrialization.
Today, they've actually paved the farm and made it into a parking lot. A
shopping mall looks with arrogant disdain at the small "Olson's fruit stand"
which is but a temporary stall for the people who sold the farm. The heart
of the farm, where cherries once blossomed, is where a retail bookstore has
found its bearings. Mr. Olson has recently written a book about his farm,
which has nostalgic pictures of the past and to top the irony, he is going
to sign these books at the very same bookstore.

I moved to Sunnyvale from Bangalore, India which has had its share of
unhindered urban growth in the last two decades. It does seem that
everywhere you look, they're paving paradise to build parking lots.

Arun.

[Links]

Joni Mitchell Discussion list: http://www.jmdl.com/
Joni Mitchell page: http://www.jonimitchell.com/
San Jose Mercury News (http://www.bayarea.com/mld/mercurynews/)
 [Article, January 22, 2002: Cherry Stand Ends An Era]

Within You Without You -- George Harrison

Guest poem submitted by Arun Simha:
(Poem #954) Within You Without You
 We were talking - about the space between us all
 And the people - who hide themselves behind a
   wall of illusion
 Never glimpse the truth - then it's far too late -
   when they pass away.

 We were talking - about the love we all could
   share - when we find it
 To try our best to hold it there - with our love
 With our love - we could save the world - if
   they only knew.

 Try to realise it's all within yourself no-one else
   can make you change
 And to see you're really only very small,
   and life flows on within you and without you.

 We were talking - about the love that's gone so
   cold and the people,
 Who gain the world and lose their soul -
   they don't know - they can't see - are you one
   of them?

 When you've seen beyond yourself - then you
   may find, peace of mind is waiting there -
 And the time will come when you see
   we're all one, and life flows on within you and
   without you.
-- George Harrison
[Details]

Rec.: 15th/22nd March, 3rd/4th April 1967
Rel. UK: 1st June 1967 (LP Sergent Pepper's Lonely Hearts Club Band)
Rel. US: 2nd June 1967 (LP Sergent Pepper's Lonely Hearts Club Band)
Track No.: 8
Composer: Harrison
Vocals: George Harrison
Year: 1967

Instruments & additional info.:
Recording commenced in studio two at Abbey Road on March 22 1967.
Album version mixed from take two. Writer: George. Lead vocal:
George. Producer: George Martin. Recording engineer: Geoff Emerick.
Second engineer: Richard Lush.

Harrison: vocal, sitar, acoustic guitar, tambura
Uncredited Indian musicians: dilrubas, svarmandal, tabla, tambura
Erich Gruenberg, Alan Loveday, Julien Gaillard, Paul Scherman,
Ralph Elman, David Wolfsthal, Jack Rothstein, Jack Greene: violins
Reginald Kilbey, Allen Ford, Peter Beavan: cellos
Neil Aspinall: tambura

[Commentary]

George Harrison  R.I.P

Tragic, isn't it?

I'm sure most people remember his music and its associated Indian influence
fondly.

Those were the days when musicians looked eastwards for spiritual
inspiration. John McLaughlin (Mahavishnu) and Carlos Santana (Devadip)
became followers of Sri Chinmoy, Jimmy Page & Robert Plant spent a few
months in India and collected a great deal from Indian music for their
incredible Led Zeppelin  albums, and George...

 ...  who can forget 'Norwegian Wood', 'Something', 'Here Comes the Sun',
'Within You Without You' and many other immortal songs that will remain
forever etched in our minds and hearts?

He was the originator of the movement to connect music with humanitarian
aid. In 1971, Ravi Shankar informed him about the great poverty in
Bangladesh, which moved him to hold a concert which raised quite a lot of
money.

Arun.

[Minstrels Links]

Poem #631, Mean Mr Mustard / Polythene Pam -- John Lennon
Poem #112, Mr.Tambourine Man  -- Bob Dylan
Poem #227, Desolation Row  -- Bob Dylan
Poem #832, Love Minus Zero / No Limit -- Bob Dylan
Poem #890, All Along the Watchtower -- Bob Dylan
Poem #933, Mother's Little Helper -- Mick Jagger and Keith Richards