Guest poem sent in by Anustup Datta
(Poem #210) Romance Sonambulo Green, how I want you green. Green wind. Green branches. The ship out on the sea and the horse on the mountain. With the shade around her waist she dreams on her balcony, green flesh, her hair green, with eyes of cold silver. Green, how I want you green. Under the gypsy moon, all things are watching her and she cannot see them. Green, how I want you green. Big hoarfrost stars come with the fish of shadow that opens the road of dawn. The fig tree rubs its wind with the sandpaper of its branches, and the forest, cunning cat, bristles its brittle fibers. But who will come? And from where? She is still on her balcony green flesh, her hair green, dreaming in the bitter sea. --My friend, I want to trade my horse for her house, my saddle for her mirror, my knife for her blanket. My friend, I come bleeding from the gates of Cabra. --If it were possible, my boy, I'd help you fix that trade. But now I am not I, nor is my house now my house. --My friend, I want to die decently in my bed. Of iron, if that's possible, with blankets of fine chambray. Don't you see the wound I have from my chest up to my throat? --Your white shirt has grown thirsty dark brown roses. Your blood oozes and flees around the corners of your sash. But now I am not I, nor is my house now my house. --Let me climb up, at least, up to the high balconies; Let me climb up! Let me, up to the green balconies. Railings of the moon through which the water rumbles. Now the two friends climb up, up to the high balconies. Leaving a trail of blood. Leaving a trail of teardrops. Tin bell vines were trembling on the roofs. A thousand crystal tambourines struck at the dawn light. Green, how I want you green, green wind, green branches. The two friends climbed up. The stiff wind left in their mouths, a strange taste of bile, of mint, and of basil My friend, where is she--tell me-- where is your bitter girl? How many times she waited for you! How many times would she wait for you, cool face, black hair, on this green balcony! Over the mouth of the cistern the gypsy girl was swinging, green flesh, her hair green, with eyes of cold silver. An icicle of moon holds her up above the water. The night became intimate like a little plaza. Drunken "Guardias Civiles" were pounding on the door. Green, how I want you green. Green wind. Green branches. The ship out on the sea. And the horse on the mountain. |
(Translated by William Logan) Comments : I discovered this poem recently and was transfixed. The sheer power of the imagery and the vivid yet chilling picture it conjured up held me spellbound. In my imgaination, I saw Franco's Spain and the rout of the Republicans - and a broken wounded soldier coming home in the night to meet his true love. I could hear the guitar notes in the background as the two friends climb up to the balcony for the girl who used to wait there. The use of phrases like 'gypsy moon', 'hoarfrost stars', 'the forest, cunning cat' adds to the mystery of it all. What happened to her when the soldiers came? Did she jump from the balcony into the green sea and become one with it? Is the reflection of the gypsy moon in the water her 'eyes of cold silver'? The more I read it, the more it haunts me, and the superb atmospheric quality reminds me of Walter de la Mare. A brief biography of Lorca is available at www.poets.org, along with the Spanish original of this poem. Anustup
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this might throw you for a loop; the girl in lorca's poem is dead, which is
why she has green hair and skin. it is the decaying body, with eyes like
cold ice because she has drowned in the atrium of the house
never,never.........ever,ever.....
translate Lorca from spanish into any other language.
LEARN SPANISH ! ! ! ..... then comment.
I second that thought on not translating Lorca's poem into another language.
You are missing on somethings that can't be seen in this case the english
language. At the beginning the guy comes to see the girl, but somehow an
intuitive feeling makes him realize that she is already dead and that he
wants to see her for a last time. This is just the first line . Each verse is
full of meaning so make sure you don't miss on it.
I have to disagree with TALLYjamz. At the beginning of the poem the girl is
alive, but blind (ojos de fría plata) and that's why, when she leaves the
balcony, she falls into the cistern after waiting for her lover who did not
show up until late.
I was in AP Spanish 5 this year, and we covered this poem. The girl is dead, and the man is talking to her father. The soldiers wounded him, and he too will die. The two friends climbing up to the high balconies are the man and the woman going to heaven.
-Sean
I read this poem in an "AP Spanish" class, but we never truly discussed
it; I loved it dearly and committed it to memory. It always seemed to
me that the gypsy girl hung herself above the cistern, thus "was
swinging" suspended by "an icicle of moon" (rope). However, in Lorca's
magical realism, less symbolic interpretations could certainly be
viable.
Over the mouth of the cistern
the gypsy girl was swinging,
green flesh, her hair green,
with eyes of cold silver.
An icicle of moon
holds her up above the water.
This is a wonderful poem. It is a certainty that the woman is dead, and this lends support to a popular interpretation around many literary circles. The poem represents a mans first encounter with homosexuality. In this case the man attempts to trade his masculine items for feminine ones, however something is awry with the trader (actually the woman's father), and he states that he is not quite himself. There is wonderful imagery of the two men 'ascending' together, and in doing so the man becomes aware of a bittersweet taste in his mouth, representing feelings of pleasure and guilt. He finds peace though, realising that 'women' in general are dead to him. This peaceful moment is abruptly broken by the entrance of the civil guards, making us aware that he is breaking social norms, and consequently he is persecuted for it. Much of this idea is lost in the translation of the poem into English, but given Lorca's lifestyle, it is certainly a plausible interpretation.
I read with interest all the posts regarding Lorca's "Romance sonámbulo," so
I thought I would add my two cents in an attempt to shed some light on this
seemingly complex poem. First a little about me: I wrote my MA thesis on
Lorca. I study the Generación del 27 in Madrid with Carlos Bousoño, one of the
foremost poetry scholars, poet and member of the Real Academia de la Lengua
Española.
The young man in the poem is a gypsy, not a soldier. He is, in fact, a
contraband runner. The action takes place prior to the Civil War, so any images of
Franco would be considerably anachronistic. As a contraband runner, he is
constantly running from the Guardia Civil, with whom the gypsies were always
clashing.
The young gypsy girl is alive in the beginning. The color green shifts from
life to death from the beginning to the ending of the poem. Every night she
waits for him, never knowing if he will return alive. This night, he is late,
and hearing all the commotion in the countryside, she believes he has been
killed, so she kills herself. This story, in effect, is a gypsy Romeo and
Juliette story.
When the young man offers to trade his possessions with those of the old man,
it is to trade those things that represent the transitory, uncertain life of
an outlaw for those things that represent stability and settling down. He is
making an 11th hour deal to change his way of life. There is no repressed
homosexuality in the poem. Trust me, if it were there, I would gladly admit it,
especially considering the title of my thesis was, "Homosexuality as Subtext
in Lorca's New York Poems."
I hope my comments were helpful.
George Henson
Lecturer of Spanish
Southern Methodist University
WHAT YEAR WAS THIS POEM WRITTEN IN????????????????
PLEAZZZZZ WRITE BACK THNX!!!
The third stanza of the poem has been grossly mistranslated. The Spanish original does not say, " my friend, I want to trade
my horse for her house". Here the possessive form "su" has been mistranslated. It should be, rather, "mate: I wish to trade
my horse for your house, my bridle for your mirror, my knife for your blanket.Mate: I have come, bleeding, from the mountain ports of Cabra". Vidal Alcolea. Toronto.
Why do we have to find the true meaning that Lorca meant in this poem? Maybe, there is not a true one. Just, FEEL the mistery that wraps the poem, and the surreal images that embrace it. How is it possible to decipher what a surrealistic image 'really' means? Rather, get the powerful feeling that it transmits...
Hello,
I read your comments about Lorca's great poem, "Romance Sonambulo." Of course, you're right in your interpretation.
I am trying to discover all the translations of "Romance Sonambulo" into English. There are quite a few. Would you possibly have a list of them? Specifically, would you know if the poet W.S. Merwin made a translation? I know he translated some of Lorca's poems, but not "Romance Sonambulo," as far as I have been able to discover. If so, what is the title of the book in which it appears? And did Edwin Honig make a translation? Would you also know the precise title of the Penguin Book of plain prose translations of Lorca's poems?
Thanks for anything you can offer.
Ted
IMHO the young man was a Gypsie contraband runner who is mortally wounded by the Gaurdia Civil and regretting that he had not had the opportunities of a Gadjo wishes to die a dignified death with his loved one. The girl who is alive and waiting understands what has happened and recognising what will happen to her as a beautiful young associate of a criminal in the hands of a drunk Gaurdia (who are bashing at the door) decides to take her own life.
Lorca had a profound understanding of the lives Gypsie's led so is the reference to an "iron bed" with "blankets of Chambrey"...."if possible" a last ironic comment by the gypsie?...or?
It is important to understand what a poem is about otherwise, apart from it's inate beauty it is mere decoration. It would be a sad poem though, particularly in its surrealist context, if it meant the same thing to every one.
Thank you for the poem and thank you for the diverse insights.
Daniel
PS: Was written July/August 1924...well before Franko.... as one of the "Ramancero Gitano" and confirms in this context the idea that it is a poem about a bandit, common around this time in the hills above Ronda, Andalucia.
D.
For the person looking for translations (and others): I recently did a translation of this. I felt the ones I had read lacked the lyricism of Lorca's spanish - which is utterly haunting in its power - and were simultaneously, if this makes sense, too literal and not close enough to Lorca's language. While I consider my own translation to be by no means perfect, I favor it - at least on an aesthetic/lyrical level - to the ones I've read (though one should rightfully accuse me of bias!). As for my "qualifications," if you'd like to get an idea where this is coming from, I study Comparative Literature at NYU including Spanish-language literature. Any criticism would be welcome.
Federico García Lorca - Sleepwalking Ballad
Green how I love you green.
Green wind, green boughs.
The ship upon the sea
and the horse upon the mountain.
With shadow on her waist
she dreams upon her balcony;
green flesh, hair green,
with eyes of cold silver.
Beneath the gypsy moon
everything looks upward,
but she cannot look down.
Green how I love you green.
Great frosted stars
appear with a shadow-born fish
that opens the path of dawn.
The fig tree rubs the wind
with its sandpaper branches
and the mountain, a swift thieving cat,
bristles its sour aloes.
But who shall come? And from where...?
She lingers on her balcony,
green flesh, hair green,
dreaming of the bitter sea.
-Friend, I would like to exchange
my horse for your home,
my saddle for your mirror,
my knife for your blanket.
Friend, I come bleeding
from the mountain passes of Cabra.
-If I were able, lad,
this deal would be done.
But I am no longer myself,
and my house is no longer my own.
-Friend, I want to die
decently in my own bed.
A steel-framed bed, if possible,
with sheets of fine holland.
Do you not see the wound that runs
from by breast to my throat?
-Your white shirt wears
three hundred dark roses.
Your oozing blood leaves its scent
upon your sash.
But I am no longer myself,
and my house is no longer my own.
-At least let me go up
to the high balconies;
let me go! let me go
to the high balconies,
the balconies of the moon
where the water resounds.
Now the two friends ascend
toward the high balconies.
Leaving a trail of blood.
Leaving a trail of tears.
Small tin lamps
trembled on the rooftops.
A thousand crystal tambourines
stabbed up at the dawn.
Green how I love you green,
green wind, green boughs.
The two friends went up.
A persistent wind left a strange taste
of bile in their mouths, a taste
of mint and sweet-basil.
Friend! Where is she, tell me?
Where's your bitter girl?
How many times she waited for you!
How she waited for you,
cool face, black hair,
here on this green balcony!
Over the face of the cistern
the gypsy girl rocked.
Green flesh, hair green,
with eyes of cold silver.
A lunar icicle
suspends her above the water.
The night became intimate,
like a small city square.
Drunken civil guards
pounded at the door.
Green how I love you green.
Green wind, green boughs.
The ship upon the sea
and the horse upon the mountain.
For the person looking for translations (and others): I recently did a
translation of this. I felt the ones I had read lacked the lyricism of
Lorca's spanish - which is utterly haunting in its power - and were
simultaneously, if this makes sense, too literal and not close enough to
Lorca's language. While I consider my own translation to be by no means
perfect, I favor it - at least on an aesthetic/lyrical level - to the
ones I've read (though one should rightfully accuse me of bias!). As for
my "qualifications," if you'd like to get an idea where this is coming
from, I study Comparative Literature at NYU including Spanish-language
literature. Any criticism would be welcome.
"Sleepwalking Ballad"
originally by Federico Garcia Lorca
translated by Sean Nortz
Green how I love you green.
Green wind, green boughs.
The ship upon the sea
and the horse upon the mountain.
With shadow on her waist
she dreams upon her balcony;
green flesh, hair green,
with eyes of cold silver.
Beneath the gypsy moon
everything looks upward,
but she cannot look down.
Green how I love you green.
Great frosted stars
appear with a shadow-born fish
that opens the path of dawn.
The fig tree rubs the wind
with its sandpaper branches
and the mountain, a swift thieving cat,
bristles its sour aloes.
But who shall come? And from where...?
She lingers on her balcony,
green flesh, hair green,
dreaming of the bitter sea.
-Friend, I would like to exchange
my horse for your home,
my saddle for your mirror,
my knife for your blanket.
Friend, I come bleeding
from the mountain passes of Cabra.
-If I were able, lad,
this deal would be done.
But I am no longer myself,
and my house is no longer my own.
-Friend, I want to die
decently in my own bed.
A steel-framed bed, if possible,
with sheets of fine holland.
Do you not see the wound that runs
from by breast to my throat?
-Your white shirt wears
three hundred dark roses.
Your oozing blood leaves its scent
upon your sash.
But I am no longer myself,
and my house is no longer my own.
-At least let me go up
to the high balconies;
let me go! let me go
to the high balconies,
the balconies of the moon
where the water resounds.
Now the two friends ascend
toward the high balconies.
Leaving a trail of blood.
Leaving a trail of tears.
Small tin lamps
trembled on the rooftops.
A thousand crystal tambourines
stabbed up at the dawn.
Green how I love you green,
green wind, green boughs.
The two friends went up.
A persistent wind left a strange taste
of bile in their mouths, a taste
of mint and sweet-basil.
Friend! Where is she, tell me?
Where's your bitter girl?
How many times she waited for you!
How she waited for you,
cool face, black hair,
here on this green balcony!
Over the face of the cistern
the gypsy girl rocked.
Green flesh, hair green,
with eyes of cold silver.
A lunar icicle
suspends her above the water.
The night became intimate,
like a small city square.
Drunken civil guards
pounded at the door.
Green how I love you green.
Green wind, green boughs.
The ship upon the sea
and the horse upon the mountain.
Thank you.
Sean,
Very nice translation, thank you.
i really find it difficult to understand the poem.....
anybody tell me what is the main meaning in this poem plzzz........
you guys is stupid.. yes im talking about Vimax.. i dont need that shit..
plz gv comment of the significance of the poem sleeping ballad.
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hmmm - interesting how everyone reads this as a Gypsy girl. I have from the very first reading read it as the country itself, beautiful woman and beautiful nature, in the midst of the violence sweeping over it. Since finding out the poet was gay, it seems all the more to me that he is both speaking to a metaphorical person about all the things of peace for which he would gladly trade, and doing so within his beloved lady country.
The girl is already dead: green hair, flesh, cold silver eyes all point to death, not life. Here, green doesn't symbolize trees, grass, or life, but the putrefaction of death, dead flesh, the grave.
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ปากทางเข้าของเกมพนันออนไลน์ในขณะนี้นั้น เกิดเรื่องหนึ่งที่ขาพนันได้รับปัญหาเกี่ยวกับนี้เยอะที่สุด เนื่องด้วยเป็นปากทางเข้าที่ใช้ไม่ได้บ้างหรือบางครั้งบางคราวเป็นปากทางเข้าที่หมดอายุและจากนั้นก็มีเช่นเดียวกัน ซึ่งปากทางเข้าที่กล่าวมานั้นไม่ใช่เฉพาะเจาะจงเฉพาะเจาะจงว่าเป็นปากทางเข้าเกมใดเกมหนึ่งเพียงแค่นั้น แม้กระนั้นเป็นปากทางเข้าของเกมพนันทุกๆเกมเลย อย่าง เกมบาคาร่าเองก็มีทางเข้าแบบเดียวกัน ซึ่งบางเว็บไซต์พนันออนไลน์ก็มีการสำรองปากทางเข้าไว้หลายทาง เพราะเหตุว่าเกมบาคาร่าออนไลน์เป็นเกมที่มีมากยิ่งกว่าหนึ่งแบบอย่าง แล้วก็แบบอย่างที่ได้รับการยินยอมรับรวมทั้งขาพนันเข้ามากที่สุด ก็คือ ปากทางเข้าของเกมดึงดูดใจบาคาร่านั่นเอง และก็ในที่นี้พวกเราจะมาเอ๋ยถึงปากทางเข้าสู่เกมบาคาร่ากัน แต่ว่าเป็นปากทางเข้าที่เรียกว่า บาคาร่า โทรศัพท์มือถือ
บาคาร่า โทรศัพท์มือถือ ปากทางเข้าที่ขาพนันหลายๆคนเลือกใช้บริการ
เกมพนันหลายๆเกมก็สามารถที่จะเข้าปากทางเข้าของโทรศัพท์เคลื่อนที่ได้เหมือนกัน แต่ว่าอย่างไรก็แล้วแต่ขาพนันก็ควรต้องไปกระทำการตรวจเช็คก่อนว่าเกมพนันที่เล่นนั้น เว็บไซต์พนันออนไลน์มีความยั่งยืนด้านการเงินไหมเช่นไร เนื่องจากด้านการเงินนั้นมีความหมายอย่างยิ่งต่อขาพนัน เพราะว่าถ้าการคลังมีปัญหาแล้วโน่นเป็นเงินที่ใช้ในการเดิมพันที่เล่นได้ของขาพนันก็อาจจะเป็นไปได้ว่าจะมีช่องทางที่ได้ยากหรือถอนยากกว่าเดิม ซึ่งปากทางเข้าหนึ่งที่ขาพนันผู้คนจำนวนมากเลือกใช้บ่อยครั้งในยุคนี้เป็นปากทางเข้าบาคาร่า โทรศัพท์มือถือ
ปากทางเข้าบาคาร่า โทรศัพท์เคลื่อนที่ ปากทางเข้าบาคาร่าออนไลน์ที่ขาพนันจะต้องระลึกถึงเป็นอันดับที่หนึ่ง
ปากทางเข้าเกมบาคาร่าก่อนนั้นเป็นปากทางเข้าที่บอกเลยว่ามีเฉพาะเพียงแค่เว็บที่ใช้ผ่านเครื่องมือพวก PC แค่นั้น แต่ว่าเดี๋ยวนี้เว็บไซต์พนันออนไลน์ได้มีการปรับปรุงที่มากขึ้นกว่าเดิมโดยปรับปรุงให้เกมบาคาร่านั้นสามารถออนไลน์โดยเชื่อมกับโทรศัพท์มือถือได้เลย หรือที่เรียกว่าปากทางเข้า บาคาร่า โทรศัพท์มือถือนั่นเอง ซึ่งปากทางเข้าโทรศัพท์มือถือนี้เป็นปากทางเข้าที่ขาพนันจะระลึกถึงเป็นลำดับที่หนึ่งก่อนปากทางเข้าเว็บ
จะมองเห็นได้ว่า บาคาร่าออนไลน์ที่ขาพนันเล่นกันในตอนนี้นั้นก็มีพัฒนาการของปากทางเข้าที่เป็นแบบบาคาร่า โทรศัพท์มือถือแล้ว ซึ่งขาพนันสามารถที่จะไปสู่ปากทางเข้านี้ได้ตลอดระยะเวลาเลย แต่ว่าการเล่นเกมบาคาร่าขาพนันก็ควรต้องระแวดระวังเว็บไซต์บาคาร่าออนไลน์ด้วย เพราะว่าบางเว็บไซต์ปราศจากความมั่นคงด้านการเงิน ซึ่งอาจจะเป็นผลให้การเล่นเกมบาคาร่าในเว็บไซต์พนันออนไลน์นั้นอาจจะเป็นไปได้ว่าจะมีปัญหาขึ้นมาวันหลังได้ ซึ่งขาพนันสามารถที่จะพินิจได้ว่าเว็บไซต์บาคาร่าที่ขาพนันเล่นนั้นเป็นที่ชื่นชอบของขาพนันไหม ถ้าหากว่าเป็นที่ชื่นชอบมีความหมายว่าเว็บไซต์บาคาร่านั้นสามารถเชื่อใจได้สำหรับเพื่อการพนัน
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