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The Truth of Woman -- Sir Walter Scott

Guest poem submitted by Suresh Ramasubramanian:
(Poem #415) The Truth of Woman
 Woman's faith, and woman's trust -
 Write the characters in the dust;
 Stamp them on the running stream,
 Print them on the moon's pale beam,
 And each evanescent letter
 Shall be clearer, firmer, better,
 And more permanent, I ween,
 Than the thing those letters mean.

 I have strain'd the spider's thread
 'Gainst the promise of a maid;
 I have weigh'd a grain of sand
 'Gainst her plight of heart and hand;
 I told my true love of the token,
 How her faith proved light, and her word was broken:
 Again her word and truth she plight,
 And I believed them again ere night.
-- Sir Walter Scott
[from "The Betrothed" - 1825]

Scott has a well deserved reputation for writing novels and poems full of
romance, humor and swashbuckling action.  This is one of the few poems (and I've
read them all) in which I've seen him write in such a bitter vein.

Love is blind, they say (who ~are~ "they", by the way?). Scott sounds more like
Auden in one of his blacker moods here (and Auden typically sounds like a
cuckold whining for sympathy - though it is a beautiful whine, I must say).

Scott is, by the way, my favorite author ~and~ poet - even P.G.Wodehouse would
be hard pressed to match his talent for gentle humour and his deft phrasing.
Try reading Scott's note on the "Stirrup Cup" in "Waverly" for an idea of what I
mean.

Suresh.

Epitaph on a pessimist -- Thomas Hardy

Guest poem submitted by Smitha Rao:
(Poem #414) Epitaph on a pessimist
 I'm Smith of Stoke aged sixty odd
 I've lived without a dame all my life
 And wish to God
 My dad had done the same.
-- Thomas Hardy
Just loved this piece of terse verse. It very deftly manages to portray an
incurable die-hard pessimist. (Also because I'm in love with Hardy).

        -- Smitha Rao

Admired Miranda! -- William Shakespeare

Guest poem submitted by Kashyap Deorah:
(Poem #413) Admired Miranda!
 Admired Miranda!
 Indeed the top of admiration! worth
 What's dearest to the world! Full many a lady
 I have eyed with best regard and many a time
 The harmony of their tongues hath into bondage
 Brought my too diligent ear: for several virtues
 Have I liked several women; never any
 With so fun soul, but some defect in her
 Did quarrel with the noblest grace she owed
 And put it to the foil: but you, O you,
 So perfect and so peerless, are created
 Of every creature's best!
-- William Shakespeare
I was going through the minstrels archive sometime back and saw a whole lot of
Tempest lying there (forgive the pun). Just remembered that there were some
lines that were missing from the collection. As in, when someone mentions The
Tempest to me, those lines just strike me each time. Here they are. I mean, if
ever some lover tried to flatter his beloved with words, he would be well
advised to take a peep at these lines first.

--
Kashyap

There is a motionless tree -- Octavio Paz

Guest poem submitted by Aseem Kaul:
(Poem #412) There is a motionless tree
There is a motionless tree
there is another that moves forward
                a river of trees
pounds at my chest
                The green swell
of good fortune

You are dressed in red
                you are
the seal of the burning year
carnal firebrand
                star of fruit
I eat the sun in you

                The hour rests
on a chasm of clarities

The birds are a handful of shadows
their beaks build the night
their wings sustain the day

Rooted at the light's peak
between stability and vertigo
                you are
        the diaphanous balance.
-- Octavio Paz
Can't really do analysis but:

What I really love about Paz is the breathless dizziness of his writing - the
way images seem to break from the poem like sudden birds of feeling from lines
tangled like branches, and the way a single line can draw you in, involve you
leave you with this terrible longing to hold on to something you never quite
had. I picked this particular poem 'cos I think it's a good example, but really,
there's so much in Paz that is this brilliant.

Aseem Kaul.

The Tables Turned -- William Wordsworth

       
(Poem #411) The Tables Turned
  Up! up! my Friend, and quit your books;
  Or surely you'll grow double:
  Up! up! my Friend, and clear your looks;
  Why all this toil and trouble?

  The sun above the mountain's head,
  A freshening lustre mellow
  Through all the long green fields has spread,
  His first sweet evening yellow.

  Books! 'tis a dull and endless strife:
  Come, hear the woodland linnet,
  How sweet his music! on my life,
  There's more of wisdom in it.

  And hark! how blithe the throstle sings!
  He, too, is no mean preacher:
  Come forth into the light of things,
  Let Nature be your teacher.

  She has a world of ready wealth,
  Our minds and hearts to bless--
  Spontaneous wisdom breathed by health,
  Truth breathed by cheerfulness.

  One impulse from a vernal wood
  May teach you more of man,
  Of moral evil and of good,
  Than all the sages can.

  Sweet is the lore which Nature brings;
  Our meddling intellect
  Mis-shapes the beauteous forms of things:--
  We murder to dissect.

  Enough of Science and of Art;
  Close up those barren leaves;
  Come forth, and bring with you a heart
  That watches and receives.
-- William Wordsworth
Yes, another one of these. There is a discernible attitude, among some poets,
that book learning (and science in particular) is somehow 'unnatural' and
'unpoetic', and that by its pursuit the human race is abandoning its
collective spirituality, so to speak, and moving away from nature.

This has spawned a whole brood of fallacies and misrepresentations, from
Rousseau's unfoundedly praised 'noble savage' to Whitman's unjustly reviled
'learned astronomer'.[1]

But enough of the rant - what about the poem? Well, even considered apart
from its viewpoint, it's not that great a poem. The tone is sententious, the
form correct but dull. And if he was trying to present nature as infinitely
more attractive than books - well, let's just say I've seen it done better.
In fact, the only reason I'm running this at all is that my irritation at
the attitude displayed occasionally calls for an outlet, and the poem made a
good excuse :)

(Though in Wordsworth's defence the friend he addressed the poem to
apparently had an equally one-sided attachment to books - see Notes.)

[1] imho, the only place this *has* been done well is in Oscar Wilde's "The
Nightingale and the Rose"

Notes:

  In the "Advertisement" to the volume, Wordsworth wrote: "The lines
  entitled Expostulation and Reply and those which follow [The Tables
  Turned], arose out of conversation with a friend who was somewhat
  unreasonably attached to modern books of moral philosophy." The friend was
  probably William Hazlitt who visited Coleridge and Wordsworth in Somerset
  in the spring of 1798. See Hazlitt's essay "My First Acquaintance with
  Poets."
    -- from http://www.library.utoronto.ca/utel/rp/poems/wordswor2.html

Links:

For Whitman's poem, and a fine rant by Thomas on the same topic, see poem #54
For a biography of Wordsworth (and a far nicer poem of his), see poem #63

- martin