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Showing posts with label Poet: Guy Wetmore Carryl. Show all posts
Showing posts with label Poet: Guy Wetmore Carryl. Show all posts

When The Great Gray Ships Come In -- Guy Wetmore Carryl

A week after the signing of the treaty of peace with Spain, Sampson's fleet
came into New York harbor.
(Poem #1727) When The Great Gray Ships Come In
 To eastward ringing, to westward winging, o'er mapless miles of sea,
 On winds and tides the gospel rides that the furthermost isles are free;
 And the furthermost isles make answer, harbor, and height, and hill,
 Breaker and beach cry, each to each, "'Tis the Mother who calls! Be still!"
 Mother! new-found, beloved, and strong to hold from harm,
 Stretching to these across the seas the shield of her sovereign arm,
 Who summoned the guns of her sailor sons, who bade her navies roam,
 Who calls again to the leagues of main, and who calls them this time home!

 And the great gray ships are silent, and the weary watchers rest;
 The black cloud dies in the August skies, and deep in the golden west
 Invisible hands are limning a glory of crimson bars,
 And far above is the wonder of a myriad wakened stars!
 Peace! As the tidings silence the strenuous cannonade,
 Peace at last! is the bugle-blast the length of the long blockade;
 And eyes of vigil weary are lit with the glad release,
 From ship to ship and from lip to lip it is "Peace! Thank God for peace!"

 Ah, in the sweet hereafter Columbia still shall show
 The sons of these who swept the seas how she bade them rise and go;
 How, when the stirring summons smote on her children's ear,
 South and North at the call stood forth, and the whole land answered "Here!"
 For the soul of the soldier's story and the heart of the sailor's song
 Are all of those who meet their foes as right should meet with wrong,
 Who fight their guns till the foeman runs, and then, on the decks they trod,
 Brave faces raise, and give the praise to the grace of their country's God!

 Yes, it is good to battle, and good to be strong and free,
 To carry the hearts of a people to the uttermost ends of sea,
 To see the day steal up the bay, where the enemy lies in wait,
 To run your ship to the harbor's lip and sink her across the strait:—
 But better the golden evening when the ships round heads for home,
 And the long gray miles slip swiftly past in a swirl of seething foam,
 And the people wait at the haven's gate to greet the men who win!
 Thank God for peace! Thank God for peace, when the great gray ships come in!
-- Guy Wetmore Carryl
       August 20, 1898

Having long been a fan of Carryl's humorous poems, it was interesting here
to see him turn his hand to "stirring" verse. What was underscored for me
was that the same talents that made him such a master of the former genre
stood him in good stead here too - above all, the understanding that rhyme
and metre are not mere adjuncts to a poem, but, often, its very heartbeat.

The poem conveys its central emotion very well indeed, but despite the
superficial reference to peace, that emotion is not really the relief of
peace - rather, it is the heady exultation of victory. This is an
incontrovertibly martial poem, swept along by the anapests and internal
rhymes, by the constant reference  to the foe and the turbulent images like
"And the long gray miles slip swiftly past in a swirl of seething foam".

And, ultimately, this is a patriotic poem - a poem where

 Brave faces raise, and give the praise to the grace of their country's God!

And if Carryl does tap a rather easy source of emotion and imagery, he does
so exquisitely well. The only problem with the poem is that, despite its
excellent execution, it ends up sounding very generic. I enjoyed reading it,
but (in sharp contrast to the brilliant humorous poems we've already run), I
cannot call it in any way memorable.

martin

[Links]

Bob Blair calls the poem "almost a primer of American patriotism" - his
explanation is well worth a read:
  http://www.geocities.com/~bblair/030205.htm

Previous Carryl poems on Minstrels:
  [broken link] http://www.cs.rice.edu/~ssiyer/minstrels/index_poet_C.html#Carryl

Spanish American War:
  http://en.wikipedia.org/wiki/Spanish-American_War

How a Cat Was Annoyed and a Poet Was Booted -- Guy Wetmore Carryl

(Words bracketed like _this_ were italicised in the text)
(Poem #273) How a Cat Was Annoyed and a Poet Was Booted
  A poet had a cat.
  There is nothing odd in that-
  (I _might_ make a little pun about the _Mews_!)
  But what is really more
  Remarkable, she wore
  A pair of pointed patent-leather shoes.
  And I doubt me greatly whether
  E'er you heard the like of that:
  Pointed shoes of patent-leather
  On a cat!

  His time he used to pass
  Writing sonnets, on the grass-
  (I _might_ say something good on _pen_ and _sward_!)
  While the cat sat near at hand,
  Trying hard to understand
  The poems he occasionally roared.
  (I myself possess a feline,
  But when poetry I roar
  He is sure to make a bee-line
  For the door.)

  The poet, cent by cent,
  All his patrimony spent-
  (I _might_ tell how he went from _verse_ to _werse_!)
  Till the cat was sure she could,
  By advising, do him good.
  So addressed him in a manner that was terse:
  "We are bound toward the scuppers,
  And the time has come to act,
  Or we'll both be on our uppers
  For a fact!"

  On her boot she fixed her eye,
  But the boot made no reply-
  (I _might_ say: "Couldn't speak to save its _sole_!")
  And the foolish bard, instead
  Of responding, only read
  A verse that wasn't bad upon the whole.
  And it pleased the cat so greatly,
  Though she knew not what it meant,
  That I'll quote approximately
  How it went:-

  "If I should live to be
  The last leaf upon the tree"-
  (I _might_ put in: "I think I'd just as _leaf_!")
  "Let them smile, as I do now,
  At the old forsaken bough"-
  Well, he'd plagiarized it bodily, in brief!
  But that cat of simple breeding
  Couldn't read the lines between,
  So she took it to a leading
  Magazine.

  She was jarred and very sore
  When they showed her to the door.
  (I _might_ hit off the door that was a _jar_!)
  To the spot she swift returned
  Where the poet sighed and yearned,
  And she told him that he'd gone a little far.
  "Your performance with this rhyme has
  Made me absolutely sick,"
  She remarked. "I think the time has
  Come to kick!"

  I could fill up half the page
  With descriptions of her rage-
  (I might say that she went a bit too fur!)
  When he smiled and murmured: "Shoo!"
  "There is one thing I can do!"
  She answered with a wrathful kind of purr.
  "You may shoo me, and it suit you,
  But I feel my conscience bid
  Me, as tit for tat, to boot you!"
  (Which she did.)

  _The Moral_ of the plot
  (Though I say it, as should not!)
  Is: An editor is difficult to suit.
  But again there're other times
  When the man who fashions rhymes
  Is a rascal, and a bully one to boot!
-- Guy Wetmore Carryl
A slightly different poem by Carryl - unlike the previous two we've run,
this one is not a fable or fairytale retelling (though there seems to be a
nod towards 'Puss in Boots'). The humour appears to be mainly in the
parenthetical comments, a fairly common form of humour in which the author
uses a deliberately heavyhanded approach - the joke works on two levels,
both as a pun, and as a sly poke at people who *think* they're funny[1].

And as a final note, the poem referred to is 'The Last Leaf' by Oliver
Wendell Holmes ([broken link] http://eldred.ne.mediaone.net/owh/ll.html)

[1] I have no idea whether he's parodying anything specific here, but I
associate the form with Grossmith's 'Diary of a Nobody' - all the funnier
there because the protagonist actually did think he was funny, and insisted
on emphasising all his puns so that the listener wouldn't miss the point.

Links:

I am still unable to find a biography of Carryl, and would be eternally
grateful to anyone who could supply one

The previous two Carryl poems are available at
[broken link] http://www.cs.rice.edu/~ssiyer/minstrels/index_poet.html

m.

The Sycophantic Fox and the Gullible Raven -- Guy Wetmore Carryl

       
(Poem #137) The Sycophantic Fox and the Gullible Raven
A raven sat upon a tree,
    And not a word he spoke, for
His beak contained a piece of Brie.
    Or, maybe it was Roquefort.
We'll make it any kind you please --
At all events it was a cheese.

Beneath the tree's umbrageous limb
    A hungry fox sat smiling;
He saw the raven watching him,
    And spoke in words beguiling:
"J'admire," said he, "ton beau plumage!"
(The which was simply persiflage.)

Two things there are, no doubt you know,
    To which a fox is used:
A rooster that is bound to crow,
    A crow that's bound to roost;
And whichsoever he espies
He tells the most unblushing lies.

"Sweet fowl," he said, "I understand
    You're more than merely natty;
I hear you sing to beat the band
    And Adelina Patti.
Pray render with your liquid tongue
A bit from Gotterdammerung."

This subtle speech was aimed to please
    The crow, and it succeeded;
He thought no bird in all the trees
    Could sing as well as he did.
In flattery completely doused,
He gave the "Jewel Song" from Faust.

But gravitation's law, of course,
    As Isaac Newton showed it,
Exerted on the cheese its force,
    And elsewhere soon bestowed it.
In fact, there is no need to tell
What happened when to earth it fell.

I blush to add that when the bird
    Took in the situation
He said one brief, emphatic word,
    Unfit for publication.
The fox was greatly startled, but
He only sighed and answered, "Tut."

The Moral is: A fox is bound
    To be a shameless sinner.
And also: When the cheese comes round
    You know it's after dinner.
But (what is only known to few)
The fox is after dinner, too.
-- Guy Wetmore Carryl
Another of Carryl's marvellous retellings of Aesop's fables. The poem needs
nothing in the way of explanation; I'll merely note again the similarities
to Gilbert - especially the bit of French with the parenthetical comment.
My favourite bit, though, is undoubtedly the penultimate verse - I had to
stop and laugh out loud at the sheer deadpan humour of it.

It's also well worth going back and taking a look at his 'Embarassing
Episode of Little Miss Muffet' (which has a better pun at the end :)).
poem #94

m.

The Embarrassing Episode of Little Miss Muffet -- Guy Wetmore Carryl

       
(Poem #94) The Embarrassing Episode of Little Miss Muffet
Little Miss Muffet discovered a tuffet,
(Which never occurred to the rest of us)
And, as 'twas a June day, and just about noonday,
She wanted to eat - like the rest of us:
Her diet was whey, and I hasten to say
It is wholesome and people grow fat on it.
The spot being lonely, the lady not only
Discovered the tuffet, but sat on it.

A rivulet gabbled beside her and babbled,
As rivulets always are thought to do,
And dragon flies sported around and cavorted,
As poets say dragon flies ought to do;
When, glancing aside for a moment, she spied
A horrible sight that brought fear to her,
A hideous spider was sitting beside her,
And most unavoidably near to her!

Albeit unsightly, this creature politely Said: "
Madam, I earnestly vow to you,
I'm penitent that I did not bring my hat.
I Should otherwise certainly bow to you."
Thought anxious to please, he was so ill at ease
That he lost all his sense of propriety,
And grew so inept that he clumsily stept
In her plate - which is barred in Society.

This curious error completed her terror;
She shuddered, and growing much paler, not
Only left tuffet, but dealt him a buffet
Which doubled him up in a sailor knot.
It should be explained that at this he was pained:
He cried: "I have vexed you, no doubt of it!
Your fists's like a truncheon." "You're still in my luncheon,"
Was all that she answered. "Get out of it!"

And the Moral is this: Be it madam or miss
To whom you have something to say,
You are only absurd when you get in the curd
But you're rude when you get in the whey.
-- Guy Wetmore Carryl
Guy Carryl has written a number of wonderfully funny versifications of
fables and fairytales, collected in 'Fables for the Frivolous' and a few
other books. (Those of you familiar with Roald Dahl's 'Revolting Rhymes'
might find it fun to compare the two.) The one above is typical -
complicated rhymes, a metre reminiscent of Gilbert[1] and a wonderful (or
awful, depending on your point of view) pun at the end.

[1] for the G&S fans among you, this one almost, but not quite, scans to the
Lord Chancellor's song from Iolanthe ("when you're lying awake, with a
dismal headache...")

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